Apparently, great books can be life changing: British prisons have begun using a literature course originally developed in the US and including Shakespeare, Dickens, and Steinbeck to help rehabilitate criminals.
Convicts and Classics
Imaginary Russia
David Satter’s It Was a Long Time Ago and It Never Happened Anyway gets reviewed for The Daily Beast. The book is a “sweeping study of how the former Soviet Union’s bloody past continues to poison Russia’s present and threatens to strangle the country’s future.”
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Pulp Saint
From The Atlantic comes the case for canonizing G.K. Chesterton, the “Catholic convert and an oracular man of letters, a pneumatic cultural presence, an aphorist with the production rate of a pulp novelist.”
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“Happy memories pass in slow procession over the soul”
Eldritch Press, which has a whole slew of free books available online, has just added the Constance Garnett translation of Ivan Turgenev’s A Hunter’s Sketches. Happy reading, everybody.
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Haiti’s Resilience: A Literary List
Yesterday marked eight years since a devastating earthquake struck Haiti and a few days ago Trump put the country back in the news (but not in an reflective or uplifting way). Looking to learn more about Haiti sans racist rhetoric? The New York Times has “three books by Haitian writers that provide insight into the country’s history of struggle and resistance.” Find the list here.
Short Form Story Contest
The Short Form is holding a short, short fiction contest, and the deadline is March 31st. Submit one or two stories no longer than 500 words for a shot at winning Frank Stanford’s Conditions Uncertain & Likely to Pass Away as well as internet stardom.
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Fail Again
Having kicked off his career with a book of poetry, it’s not surprising that Ben Lerner is interested in the late Johns Hopkins professor Allen Grossman, who theorized that people dislike poetry because poems are — by definition — failures. In a piece for the LRB, he runs through the implications of Grossman’s theory, touching on poets as disparate as Shakespeare and William McGonagall. Pair with Kate Angus on why Americans don’t buy poetry books.
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