Paula Fox‘s ostensible review of L.J. Davis‘ A Meaningful Life in the current New York Review of Books is really (pace N1BR) a transporting memoir of Brooklyn in the ’70s.
Brooklyn Was Mine
Too Much Imagining
Jonah Lehrer has resigned from his staff position at the New Yorker, after Tablet Magazine revealed he had fabricated quotes--from Bob Dylan, no less!--in his bestseller Imagine: How Creativity Works, which since has been pulled from the market. Michael C. Moynihan, the journalist who discovered the deception, was interviewed by the Observer, saying he felt "horrible" watching vitriolic reactions pour in. Previously the book saw critique for its loose science in both The New Republic and The Millions.
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Forsooth
You might think that recording an audiobook would be an easy task for Ice-T. Not so, or at least not always: the rapper and Law & Order star says an upcoming book in the Dungeons and Dragons universe tripped him up with its heavy use of fantasy slang. (h/t The Paris Review)
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After the Wall
“[Christa] Wolf was a committed dissident in the GDR (East Germany) and a forceful voice resisting Western triumphalism after reunification. It would seem like some sort of explanation was owed to the public. Yet how does one give an account of oneself when the link to the past, to the psychological and cultural backdrop of such fateful decisions, is not even subjectively available?” On City of Angels: Or, the Overcoat of Dr. Freud.
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Tuesday New Release Day: James; Hallman; Moya; Kureishi; Yanagihara; Llosa
New this week: The Tusk That Did the Damage by Tania James; B & Me: A True Story of Literary Arousal by J.C. Hallman; The Dream of My Return by Horacio Castellanos Moya; The Last Word by Hanif Kureishi; A Little Life by Hanya Yanagihara; and The Discreet Hero by Nobel laureate Mario Vargas Llosa. For more on these and other new titles, check out our Great 2015 Book Preview.
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You’ve Been Sleeping on Romance Novels
"While men weren’t looking, women built a genre that tackles love, sex, pleasure, class, money, feminism, masculinity, and equality." Jamie Green writes for Buzzfeed about how romance novels have gotten more feminist over the years (and still getting a happily ever after) and people are now starting to sit up and take notice.