Los Angeles-based Millions readers might be interested in Sunday night’s edition of Tongue and Groove at the Hotel Cafe in Hollywood. I’ll be reading, along with writers Cecil Castellucci, Michael O’Keefe, Frank Montesonti, and Giuliana Mayo. Show starts at 6 pm.
Out this week: Levels of Life by Julian Barnes; The Lowland by Jhumpa Lahiri; Between Friends by Amos Oz; and a new paperback edition of The Round House by Louise Erdrich. For more information on these books and other new titles, check out our Great Second-half 2013 Book Preview.
Literary critic Amitava Kumar has written a personal essay for the Chronicle on his experience reading from Salman Rushdie’s The Satanic Verses at the Jaipur Literary Festival in India, where the work has banned for 23 years. Read The Millions coverage of the festival here.
The literary archives of Gwendolyn Brooks – the first African-American to win a Pulitzer Prize – are headed to the University of Illinois Rare Book and Manuscript Library. The haul amounts to more than “150 boxes stuffed with manuscripts, drafts, revisions, correspondence, scrapbooks, clippings, homemade chapbooks in which Brooks neatly handwrote her earliest (unpublished) poems, and heavy bronze awards ensconced in velvet-lined boxes collected later in her career.”
“So much has been written about New York City as a city of histories—rich and public, deep and private. Commerce and bodies ebb and flow. For every New Yorker, there is a ghost city under the tangible one; this second, invisible layer contains the tangled web of memory and geography. I certainly have my fair share of associative ghosts; we all do. But New York City is also a city of forgetting, for better and for worse, and often against our best wishes.” Anna Wiener on the coping strategies of New Yorkers.
Recommended reading: Pankaj Mishra and Benjamin Moser debate the continued possibility and relevance of Ezra Pound‘s “Make it New” for The New York Times Books Bookends.
“Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen.” This essay on interstices and representing Hawai’i Creole English as a legitimate literary participant is excellent.