Caleb Crain, author of American Sympathy: Men, Friendship, and Literature in the New Nation discusses the mixed feelings that a writer is subject to when it’s time to let go of a book.
Out this week: The Land of Love and Drowning by Tiphanie Yanique; Last Stories and Other Stories by William T. Vollmann; High as the Horses’ Bridles by Scott Cheshire; The Hundred-Year House by Rebecca Makkai; Tomorrow and Tomorrow by Thomas Sweterlitsch; A Brave Man Seven Storeys Tall by Will Chancellor; The Confessions of Frances Godwin by Robert Hellenga; Don’t Try to Find Me by Holly Brown; The Girls from Corona del Mar by Rufi Thorpe; Mr. Gwyn by Alessandro Baricco; Road Ends by Mary Lawson; and our own Edan Lepucki’s California (which you may have seen on Colbert). For more, go read our Great Second-half 2014 Book Preview.
When Vladimir Nabokov developed a screen adaptation for Lolita, his director Stanley Kubrick declared it the “best ever written in Hollywood”–meaning, it seems, most gorgeously novelistic, evocative, readable. Here’s a short excerpt of his screenplay with original margin notes.
“At bottom, the argument about copyright is not really a philosophical argument. It’s a battle between interest groups.” Louis Menand writes about American copyright law in the digital age for The New Yorker, and his essay pairs well with the many articles on copyright we’ve published over the years.