In a piece for The New York Times Jennifer Moses takes a tour of south Louisiana, “a place that produces writers the way France produces cheese — prodigiously, and with world-class excellence — a place that calls on its writers’ talent and inspiration and, in turn, is reflected back into the world through their words,” and of the past haunts of Tennessee Williams, Anne Rice and Kate Chopin.
Photographers who are tired of weddings should start shooting book covers. When New Directions asked to use one of Allen Frame’s photos for the cover of Robert Bolaño’s Last Evenings on Earth, he gave them access to his archive instead. Today, nine Frame photos have been used on Bolaño book covers. You can view them here or at New York City’s Gitterman Gallery.
“Will anyone in America give a damn about Beig? It’s hard to imagine our glittering zeitgest machine ever getting behind her, with her landscape, her women, her knowledge of the secret lives of animals born for the hatchet. Her writing, so invested in the disappearing rural world, is particular, yes, but universal: her characters love and long and pine away.” Matthew Neill Null is unsatisfied with how American readers have treated the work of the great German novelist Maria Beig. He makes a passionate case in her favor in this new essay over at The Paris Review.
Interested in writing a bestseller? You may want to check out Jodie Archer and Matthew L. Jockers‘ newest book, The Bestseller Code. Or maybe not: “At times, it seems like Archer and Jockers are trying to retrofit a closed system. They found that best-sellers have lots of contractions—the better, they explain, to mimic contemporary speech—and exclamation points only rarely … They conclude that best-sellers consist of ‘shorter, cleaner sentences, without unneeded words,’ and that best-selling characters ‘make things happen.’ Active verbs predict best-sellers better than passive verbs. ‘Hesitation doesn’t keep pages turning,’ Archer and Jockers decide. After all that work, in other words, the algorithm ends up confirming the uncontested tenets of craft and style.”