Alice Munro announced her retirement from writing this week. “Perhaps, when you’re my age,” she told a National Post reporter, “you don’t wish to be alone as much as a writer has to be.” Previously the Canadian author announced her retirement in 2006, but that didn’t stop her from publishing two more books – including her latest story collection, Dear Life (Millions review). The uninitiated can get a primer on her entire oeuvre by checking out our comprehensive Beginner’s Guide to Alice Munro. See also: “Can Writers Retire? Let Us Count the Ways”
“Inspired by her governess, the radical feminist philosopher Mary Wollstonecraft, Margaret King cast aside her immense privilege, cross-dressed as a man to go to medical school, and inspired a new generation of women to push against the rigid conventions of their era.” Meet Margaret King at Longreads.
Year in Reading alum Chang-Rae Lee has a new book out this week, and its cover is making headlines. Readers who buy the limited edition of On Such A Full Sea will get the first 3D printed book cover in publishing history. According to the printers, each cover took fifteen hours to make.
Clusty has unveiled a very cool Shakespeare search engine, allowing one to sift through all the bard’s works with the push of a button.The Washington Post is hosting live lunchtime chats with various authors over the next two weeks to coincide with the 2006 National Book Festival. The highlight: Geraldine Brooks, author of Pulitzer Prize-winning The March on Thursday.Just announced: Another Hannibal book from Thomas Harris called Hannibal Rising, prompting Ed to call Harris “The Laziest Titler in the Publishing Industry.”
“I realize that, like most fantasies, reality is likely to be more complicated. For starters, literary communities—like most communities—have echelons. They have cliques; they have ghettos. You are the wrong age, work in the wrong genre, don’t know the right people, don’t teach at the same program … Anyone who thinks this isn’t true is someone squarely at the center of his or her chosen circle.” On peripherality and the uncertain nature of literary community.
Over at The Paris Review, Wei Tchou travels to Flannery O’Connor’s farm in Georgia. As she writes, “The charm of Andalusia lies in gestures like this, the ones that urge you into feeling as though you belong. The place isn’t a fossil, it’s a home.” Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”