British artist Stephen Wiltshire is sketching and drawing a 19-foot long panorama of the New York City skyline. The kicker: the drawing is being produced entirely from memory following a 20-minute helicopter flight.
Out this week: Good on Paper by Rachel Cantor; Girl Through Glass by Sari Wilson; Unspeakable Things by Kathleen Spivack; On the Edge by Rafael Chirbes; The Unfinished World by Amber Sparks; and Fine, Fine, Fine, Fine, Fine by Diane Williams. For more on these and other new titles, go read our Great 2016 Book Preview.
We recently published our review of Haruki Murakami’s latest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage. Now comes news that yet another Murkami book will be hitting shores before the year is out. The Strange Library, already available for pre-order, is 96 pages long, will ship in December, and will include “full-color art throughout in a lavish volume designed by Chip Kidd.”
Lots of action with the online mags: There’s a new issue of The Hipster Book Club, with a review of Aleksander Hemon’s Love and Other Obstacles, and an interview with Glen David Gold. There’s a new Quarterly Conversation, which includes Scott Esposito’s thoughtful consideration of Cormac McCarthy. Issue 3 of N1BR is out. And the first issue of The Point includes a piece on David Foster Wallace’s legacy.Brooklyn gets a new bookstore: Greenlight!Corpus Librus, the BEA editionIn an interview with Ed Champion, Sherman Alexie clarifies his comments about the Kindle being elitist.Tibor Fischer shares a first look at Thomas Pynchon’s forthcoming Inherent Vice.The seven types of bookstore customers. (via)An incredible collection of pocket paperback colophons.Coming soon from The Onion, Inventory, a collection of “obsessively specific pop-culture lists.”The Ask Metafilter crowd suggests what to read after 2666.For fans of style guides, here’s one from The EconomistFOUND Magazine founder Davy Rothbart is crazy about vintage NBA jerseys. (via)Further Reading: Edan’s post on gifting books in a digital age generated a bunch of interesting comments. Be sure to check them out. On a related note, in PopMatters, Michael Antman bemoans the disappearance of the “physical manifestations of contemporary culture.”