Sweet Dreams
Wonders of Wonderbook
This one goes out to all the visual learners out there. Here’s a helpful, illustrated guide to writing scenes and stories with Jeff VanderMeer, author of the bestselling Southern Reach Trilogy. Bonus: here’s an interview by VanderMeer with author Richard House from earlier this year.
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Introducing/A New Feature
Good news, Twitter poets! The Goddess of 140 Characters decided to let us tweet line breaks. (h/t Slate)
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Impeachment 101
“The purpose of this initiative, and this book, is to show everybody the actual definition of impeachment as set down by the Founding Fathers, and ask whether it applies to anything that is going on now.” Melville House books has discounted copies of A Citizen’s Guide to Impeachment, which can be sent to a member of Congress of the buyer’s choice. In the meantime, maybe you’d like to get to know the other presidents?
A Tale of Two Daredevils
In The Guardian, our own Mark O’Connell reviews TransAtlantic, the new novel by Year in Reading alum Colum McCann. If you’ll recall, we featured the book in our Great 2013 Book Preview.
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Please Be Quiet, Please
Recommended Reading: This essay from The Rumpus on total noise and total silence, touching on everyone from Mikhail Zoshchenko to Don DeLillo.
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Bullish on Bookstagram
“It’s hard to say what truly moves the needle. Bookstagrammers help in that they get images of your book cover out there (and they make them look so pretty!), and readers need to see a book a couple of times, in a couple of different places, before they are inclined to buy it.” Author Brenda Janowitz in Forbes about the surprising success of Instagram as a book marketing platform. See also Davey Davis from our own pages on the Insta-pornification of food.
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The World According to Junot
“There’s a deep tendency in our society to view mainstream status quo literature as having no politics, which is completely untrue. It has a very strong political value; it just happens to be conservative.” Junot Díaz drops some knowledge in an interview with Vox. Pair with his Millions Interview from a few years back.
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Global Fame for a Literary Icon
“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.