TriQuarterly, the long-running trail-blazing literary journal more or less dreamed into existence by the late Charles Newman, is apparently no more, due to budget cuts at Northwestern University. Newman’s foreword to his first issue as editor, reprinted at A Public Space, should be required reading for anyone thinking about the purpose and future of the little magazine and its role in the artistic ecology.
Everything you’ve ever wanted to know (but were afraid to ask) about book sales — from what the heck even constitutes a sale, to standard print runs, to author earnings per sale — from Lincoln Michel at Electric Literature.
Two ways of looking at a book: “Had I been still more articulate, I might have said that there’s a special readerly pleasure in approaching a book as you would a box. In its self-containment lies its ferocious magic; you can see everything it holds, and yet its meagre, often hackneyed contents have a way of engineering fresh, refined, resourceful patterns. And Emily might have replied that she comes to a book as to a keyhole: you observe some of the characters’ movements, you hear a little of their dialogue, but then they step outside your limited purview. They have a reality that outreaches the borders of the page.”
A teacher’s charming poem in which he winds the imaginative grammar and spelling of his students into a feast of clever words. (via)A cornucopia of palindromes. “Rot can rob a born actor” and many, many more. And don’t miss the Palindrome Drama at the end of the page.Stephen Schenkenberg looks at how people find his blog… “how+do+you+construct+buried+alive+escape+tunnel” ???The 13-number ISBN is the book industry’s Y2K. For more details, see my post from 2004.Ed plumbs bad Amazon reviews, a never-ending ending font of humor.
For The Guardian, Rafia Zakaria writes on the new wave of confessional “feminist” memoirs. As she puts it, “We’re on an uncomfortable tightrope between a bold new dialogue about women and sex, and the monetisation of that conversation by powers that recognise that as a gap in the market.” Pair with this Millions essay on feminist pop anthems.
“To read something before it is accessible to all is both a privilege and an unfair advantage.” Je Banach’s notes on keeping the secrets of the books she writes about (e.g., Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage) are thoughtful, poignant, and tantalizingly spoiler-free.
Recommended Viewing: Year in Reading alumna Rachel Fershleiser’s TED talk “Why I heart the Bookternet” on building reading communities through the internet. “The more tools that we get for communication and collaboration, the more we’re taking reading and writing — these really solitary pursuits — and building communities around them for connection and conversation.”