An Education opens this weekend in theaters. Newcomer Carey Mulligan stars and her performance has generated a lot of buzz at Sundance and Cannes. Also starring Alfred Molina, Olivia Williams, Emma Thompson, and Peter Sarsgaard.
In their latest Trend Watch, Merriam-Webster announced they’ve been seeing more searches for “Kafkaesque,” a spike they attribute to British publishers writing about Booker winner Han Kang. Since the word is so overused, it’s worthwhile to ask: just what does it actually mean now, anyway? Allison Flood tries to pin it down at The Guardian.
Out this week: Delicious Foods by James Hannaham; The Last Flight of Poxl West by Daniel Torday; Hausfrau by Jill Alexander Essbaum; The Other Joseph by Skip Horack; The Poser by Jacob Rubin; The Empire of the Senses by Alexis Landau; and The Dynamite Room by Jason Hewitt. For more on these and other new titles, check out our Great 2015 Book Preview.
In his 2001 treatise, Double Fold: Libraries and the Assault on Paper, Nicholson Baker lamented the wholesale transfer of newspaper archives to microfilm and the subsequent destruction of the originals (A recent essay here at The Millions argued that this is still a big problem). But, according to an article in The Missourian newspaper, microfilm may at least be far more permanent than easily corrupted digital archives. As executive editor Tom Warhover notes: “How about those perfectly preserved newspaper pages that have been digitally fossilized? They’re usually stored on hard drives, which can wear out quicker than your grandmother’s underwear.”
We’ve published essays before on the importance of good grammar, but it’s rare that something comes along that illustrates its value so clearly. A couple weeks ago, the Times published a blurb about This is the Story of a Happy Marriage, a recent essay collection by Ann Patchett, that led to the author sending in what may be the best correction of all time. For more on Patchett’s work, you could read Kevin Charles Redmon on her book State of Wonder.