The contest to design a new cover for Lolita that we noted in August has named some winners.
Lolita Covered
What’s In the Trunk?
Recommended Viewing: Alejandro Cartagena’s photo series, “The Car Poolers.”
One Last Taste
The last meal is a curious staple of modern executions, not least because it involves, in the words of one death-row inmate, “putting gas in a car that don’t have no motor.” At Lapham’s Quarterly, an essay on the ritual’s history, one that includes mention of famous last meals like terminally ill French President Francois Mitterrand’s final dinner of “Marennes oysters, foie gras, and two ortolan songbirds.”
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McCarthy’s Inspiration
Cormac McCarthy is inspired by scientists, but did you know the author inspires drone doom bands?
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Imaginary Russia
David Satter’s It Was a Long Time Ago and It Never Happened Anyway gets reviewed for The Daily Beast. The book is a “sweeping study of how the former Soviet Union’s bloody past continues to poison Russia’s present and threatens to strangle the country’s future.”
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Finishing Novels in Prison
The China Daily has an article today criticizing corrupt Chinese officials for signing lucrative book deals in prison. They must not know that some of the world’s most influential works of philosophy and fiction were written in the slammer.
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“Young at Heart”
A new YA series spun off from The X-Files explores Fox Mulder’s teen years, and you can read the first chapter here. You may also be forgiven for feeling like the entire premise is a bit fraught. Not only is the mental image of Spooky Mulder with acne a tad jarring, but on a more existential level, as Zan Romanoff has written for our site, “there is no such thing as the young adult novel.”
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Against Writers’ Houses
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
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Novels on Novelists
What’s the deal with all of the novels about famous writers? Perhaps it has to do with the fact that, according to Heller McAlpin at The Literary Hub, “there’s a special frisson of pleasure in reading about writers’ early struggles when you know what the future holds for them—which in the case of most of these authors is posthumous literary acclaim beyond their wildest dreams.”