At The Rumpus, Darcie Dennigan pens a strange and beautiful review of G.C. Waldrep’s new collection of poetry, Archicembalo: “I dreamt that G.C. Waldrep was offering me a tumbler of Pepsi, and amid the soda bubbles were many pills.”
Listening to Poems
J. D. Salinger’s Best Unpublished Stories
Writing for Airship Daily, Freddie Moore provides an overview of ten of her favorite unpublished J. D. Salinger stories. She also shares instructions on how to find – while being careful not to link directly toward – a “207-page trove of 22 out-of-print pieces available online.” This is for the best, considering the relationship between the Catcher in the Rye author, his unpublished works, and U.S. copyright.
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United Slang of America
(Interactive) Infographic of the Week: Slate’s United Slang of America. Click each state to find out more about the state-specific slang. You could also read our own Michael Bourne’s piece on, like, why the word like is really cool!
Melancholy Maurice Sendak Speaks
Where the Wild Things Are author/illustrator Maurice Sendak, 82, wistfully reflects on age, love, and mortality in this interview, after a mural he painted in New York was restored and moved to the Rosenbach Museum in Philadelphia. (via @BookBench)
Fighting the Taxman
Neighbor and sometime Millions humorist Jacob Lambert has published a piece in Philly Weekly on our street's travails with the Board of Revision of Taxes (BRT). I was there and it was a stirring mix of city politics and journalism in action.
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Not Another Trauma Memoir
What I didn’t want was for my book to become a trauma narrative or a healing narrative that would be touted as merely a testament to love. It’s not meant to be only an uplifting and inspirational piece of literature. I’m tired of the type of memoir that just shows you its scars and wants you to feel sympathy for it. This is not that kind of memoir." Garrard Conley interviewed over at Electric Literature in conjunction with the release of his new memoir, Boy Erased.
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Hard to Define
"Every single book or painting or piece of music exists and we take from it what we need and love and shape it into another narrative that goes out into the world or stays within us, so it’s this great thing of one narrative piling onto the next. It’s hard to define." Miriam Toews talks with The Rumpus about her novel All My Puny Sorrows and the distinctions, or lack thereof, between autobiography and fiction.
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