David Letterman has possibly topped himself. As told on the show last night, he has been doing some creepy things. Click here for the video of one of the most bizarre, fascinating — and arguably brilliant, from a PR standpoint — mea culpas in recent history.
Sean Manning of the Talking Covers blog spoke with a bunch of authors, editors and artists to take a long, close look at the work of Lorraine Louie, the designer “who came up with the uniform, De Stijl layout” of the inimitable Vintage Contemporaries. And while on the topic of book covers, check out Tammy Fortin’s “New Covers for Old Classics” series she put together for the San Francisco Museum of Modern Art.
Before Donal Ryan made the Man Booker Prize Longlist, his debut novel, The Spinning Heart, was rejected 47 times until an intern plucked it out of the slush pile. We bet those 47 publishers are smacking themselves on the forehead right now. Pair with: Research has shown that rejection is like physical pain.
Fyodor Dostoevsky‘s Crime and Punishment is getting the musical treatment, and though “it does not seem the most likely candidate to provide musical fun for all the family” for a long list of reasons – “heavy drinking, prostitution, a double axe murder and hours of psychological torment” – we’re already planning our trips to Moscow for the premier. This is also a good opportunity to revisit the debate over who’s greater, Dostoevsky or Tolstoy?
“It’s easy to attribute genius to a dead man, a legendary philanderer, liar and self-mythologizer who died beautiful and curly-haired. But ‘What About This’ is an authentic outpouring like a warm river in full flood; you get swept off the bank and its languid physicality destroys you.” On Frank Stanford’s Collected Poems.
Pamela Paul’s recent New York Times piece on the “permanent reunion” Facebook has trapped us in and an 18-year-old’s op-ed in the New York Post about why the shallow connections of Facebook led him to quit, have me feeling queasy about checking my timeline. So, I’m re-reading Edan Lepucki’s essay about taking a social media detox instead. (Cue the cognitive dissonance of clicking the “like” button next to this entry.)
Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.