A July 2009 interview at bookish us with National Book Award nominee Bonnie Jo Campbell. Interesting especially is the question (and answer) about how/why American Salvage, the only book from a small press among this year’s NBA finalists, ended up with Wayne State University Press (with an initial print run of 1,500).
“I hate the idea that you must write every day because I really can’t do that. Sometimes the aching bones in my body will not allow it.” Electric Literature interviews three writers—Keah Brown, Esmé Weijun Wang, and Jillian Weise—about disability, publishing, and accessibility. From our archives: Wang’s 2016 Year in Reading entry.
On the infinite recreation and reimagining of Finnegans Wake, a book that was “crying out for the invention of the web, which would enable the holding of multiple domains of knowledge in the mind at one time that a proper reading requires,” from The Guardian.
Nathaniel Philbrick answers the question Why Read Moby-Dick: “the level of the language is like no other,” but also “it’s as close to being our American Bible as we have.”