What do indie rock musicians share in common with experimental writers? A great deal, and not just a distaste for both of those over-used adjectives.
Following up their publication of Charles Portis’s “Motel Life, Lower Reaches” online, the Oxford American brings us a speech in verse by Jay Jennings, the editor of a recent compilation of Portis’s work (which our own Bill Morris reviewed). Jennings delivered an ode to Portis to mark the author winning the Porter Prize Lifetime Achievement Award. Sample quote: “But you read the next book because the main character was from Little Rock,/and you knew no other book where the main character was from Little Rock/and you wanted to write a book about Little Rock.”
Evidently, Alain de Botton has recovered from the unfavorable New York Times review of his latest book, The Pleasures of Sorrow and Work, for which he excoriated reviewer Caleb Crain, claiming that Crain “killed [his] book in the United States.” De Botton was just named Heathrow Airport’s first writer-in-residence. During his week tenure at a desk in Terminal 5, he will record his observations in “real time,” with his typing appearing on a screen behind him. Afterward, the entries will be collected and published as a book, A Week at the Airport: A Heathrow Diary.