Do you find yourself talking, tweeting, or BBM-ing an awful lot about the food you eat or cook? Then according to NY Magazine, you might be a Foodiot.
Foodiots
Poetry Is Politics, Politics Is Poetry
Citizen author Claudia Rankine spoke about racial tokenism in MFA workshops in her AWP keynote speech last week. As she puts it, “The white students aren’t being challenged to think harder about the assumptions they are making in workshop.”
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Apple’s Foray into Education Publishing
If you missed Apple’s “Education Announcement” last Thursday, you can check out Peter Kafka’s play-by-play coverage of the event for AllThingsD. The whole affair made quite a splash because the biggest publishers in the world today are education publishers. The star of the show was iBooks 2, and it has many people talking: some view it as education publishing’s savior, some fear it, and others think its EULA is downright creepy. At least one person believes the whole idea might’ve been the brain child of a lowly intern. And, finally, what should we make of Steve Jobs’ 1996 admission that “what’s wrong with education cannot be fixed with technology?”
The Via Crucis of the Book
“All of a sudden, things that should be banal, like a person’s face—the fact that a person has a face—becomes extremely disorienting. In these moments, I think it’s important to keep those strange commas.” In an illuminating interview for Asymptote, Year in Reading alumna Katrina Dodson talks about the thrills and challenges in translating The Complete Stories of Clarice Lispector. Pair with Magdalena Edwards’s Millions review of the collection.
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Magic: The Gathering as Literature
A D Jameson has been writing daily updates about Magic: The Gathering as literature. Here’s part one of his HTMLGiant series. (And here’s part two, and here’s part three.)
But is he down with ELP?
Michael Chabon is really into prog rock. And I just picked up a couple of great Emerson Lake & Palmer LPs. So now I’ve got a soundtrack for reading Telegraph Avenue, which I’m especially stoked on after our own Michael Bourne’s review of the novel, devoted as I am to the “brilliant little brushstrokes of language.”
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