Move over Shailene Woodley and Jennifer Lawrence because Chloë Grace Moretz is about to become the YA queen. The trailer for her adaptation of Gayle Forman’s If I Stay just came out. Next, she will be trading tearjerkers for dystopias in an adaptation of Rick Yancey’s The 5th Wave.
Kickstarter is expecting to raise more than $150 million for its users’ projects in 2012. That’s $4 million more than the “entire fiscal year 2012 budget for the National Endowment of the Arts.” Maybe it’s because the NEA is wasting all of its money on that $1.3 billion poem…
“The more you take, the more you have to give back — the better the work has to be.” The New York Times features Year in Reading alum Rivka Galchen in dialogue with Anna Holmes (“You can’t always prove appropriation, but you usually know it when you see it”) on the distinction between artistic license and cultural theft. Pair with our review of Galchen’s Little Labors.
“I began to wonder: what would a manifesto for bad poetry look like? Would it differ either superficially or deeply from the art’s graver manifestos? It really wouldn’t have to. It would merely have to persuade, and persuasion sounds very much the same whether it is honest or dishonest. If it was any good it would hold great attractiveness as a snappy piece of writing, but, if followed, it would be certain to produce bad poetry. Some harmless sophistry. In this it would be more effective than any positive manifesto, because, if guided well, no-one who sets out to write a bad poem is going to accidentally write an excellent one.” Erik Kennedy lays out a manifesto for bad poetry, titled “Precepts for Perfection in Poetry,” for The Rumpus. For a counterpoint, pair with our own Nick Ripatrazone‘s look at very good and very sad poetry, “The Saddest Poem Ever Written.”
The luck of the Irish is undoubtedly with Poetry Magazine this month in conjunction with the publication of their special Irish issue. In it, twenty-five Irish poets from Caitriona O’Reilly to Declan Ryan showcase some of the best of what the Emerald Isle has to offer; here is Patrick Cotter introducing the book for The Irish Times.
“I am very fortunate to be involved in a number of supportive communities who rally when things like this happen – but rarely do I laugh quite as hard as I did when reading Avid Reader’s responses.” The Guardian has the uplifting story of how an independent Australian bookstore “took on anti-feminist trolls and won.” If for some reason, after reading that, you want to wade into an equally polarized comments section, scroll down to the conversation following Daniel Jose Ruiz‘s recent piece on geekdom and race.