“5 Under 35” honoree Lydia Peelle reads you some “fiction for driving across America” at BOMB.
E. V. De Cleyre explores the right moment to end a nonfiction story. She writes that life rarely offers conclusions, and “dealing with actual occurrences often means there is no definitive end, and even if there were (such as a death), there comes the aftermath—the grief, the coping, the rebuilding.” Pair with Sonya Chung's Millions essay on literary endings.
“The good detective story writer (there must after all be a few) competes not only with all the unburied dead but with all the hosts of the living as well. And on almost equal terms; for it is one of the qualities of this kind of writing that the thing that makes people read it never goes out of style.” Raymond Chandler’s 1950 essay, “The Simple Art of Murder” is a real gem.
“Mario purchased pickup trucks from which he removed panels and lights. The trick was packing the drugs in a part of the vehicle where the body wouldn’t lose its hollow sound when slapped." These two sentences just got author Dan Slater's new book Wolf Boys banned from Texas prisons, inadvertently calling attention to Banned Books Week. Pair with two of our essays about controversial reads.
The Daily Bruin is a running a stunning multimedia series about “the lesbian, gay, bisexual and transgender community in Malawi, a country that outlaws homosexuality and in which UCLA has a strong research presence.” Two recent UCLA graduates – Sonali Kohli and Blaine Ohigashi – spent 24 days interviewing LGBT Malawians, activists and researchers “about the healthcare and human rights challenges the community faces.” As with the 40 Towns project I’ve mentioned previously, the result of Kohli and Ohigashi’s reportage is a testament to the quality of student journalism.
Fresh Air’s Terry Gross sits down with Jonathan Franzen to talk about Purity, writing, and the possibility of parenthood. “I’ve always thought of myself as a comic novelist. It’s a tough road to hoe because comedy means light in people’s mind. There was an ambitious part of me that kind of chafed and was secretly relieved when the comedy was overlooked, but at a certain point, it becomes wearing for people not to get the humor.” Pair with our review of the novel.