An intriguing pairing: Norman Rush tackles James Ellroy‘s Blood’s A Rover in the current New York Review of Books.
A Rush of Blood to the Head?
Virtual Typesetting
“Many of the basic rules around typographic contrast and readability for print or 2D screens change in VR. When type becomes even a little bit more volumetric, the way people perceive it and interact with it changes. The type needs to be rooted in something real, otherwise it gets a little uncanny for the user.” What should typography look like in virtual, augmented, and mixed reality interfaces? The Drum considers (via The Digital Reader). Wonder what a book fetishist might thing of all this…
●
●
Still Married
Over at Hazlitt, Lesley Buxton’s moving essay on marriage, grief, and understanding will hit you square in the heart. Here’s an essay for The Millions by Lydia Yuknavitch on art and loss that is similarly heavy and no less wonderful.
Uncertain Origin
The Wall Street Journal has shared an exclusive look at the cover art for, and an excerpt from, Elena Ferrante’s new book. Also check out Cora Currier’s essay on reading Italy through Ferrante’s books.“
●
●
GQ Questions Lorin Stein
Among the breadcrumbs doled out in this GQ slideshow/interview with Paris Review editor Lorin Stein is this: John Jeremiah Sullivan helped him write his job application.
●
●
Americanah Interview
Last week we mentioned that Chimamanda Ngozi Adichie‘s novel Americanah will, all going well, become a movie starring Lupita Nyong’o. We also mentioned that she wrote about her Year in Reading for us last year. But wait, here’s more! The Rumpus has interviewed Adichie about Americanah, and it’s well worth the read.
Win Zak Smith’s Gravity’s Rainbow
The Quarterly Conversation is holding a contest for readers. They’ll be giving away a hardcover copy of Zak Smith’s illustrated Gravity’s Rainbow.
●
●