The National Book Foundation announces the 5 Under 35 Selections for 2009.
“Here is the trouble with looking for ourselves in the writers whose works we admire, at least if we are proposing to be their biographers. For if we are in search of ourselves, or in this case our own troubled teenaged selves roaming New York, then we are apt to downplay those parts of the life that don’t correspond with that need for recognition.” Anne Boyd Rioux writes about biography and the distance, good or bad, between subject and biographer for the Los Angeles Review of Books.
This morning, the longlist for the 2015 IMPAC Dublin award came out, and the nominees include some familiar names. Year in Reading alum Chimamanda Ngozi Adichie’s Americanah is on there, as is Neil Gaiman’s The Ocean at the End of the Lane (reviewed here by our own Tess Malone), Donna Tartt’s The Goldfinch (which won this year’s Pulitzer) and The Flamethrowers by Rachel Kushner (whom you can learn more about in this essay by our own Bill Morris).
Some world literature links: Sign and Sight offers the best introduction to Herta Müller I’ve been able to find…The Complete Review gets the ball rolling on Roberto Bolaño’s (very) early novel Monsieur Pain, forthcoming from New Directions…Ingo Schulze, author of the quietly astonishing New Lives and the forthcoming One More Story, talks to The Toronto Star (via)…The NBCC features Yu Hua‘s Brothers…Claudio Magris is crowned the king of Frankfurt…Maud Newton hails Juan Gabriel Vásquez‘s “inventive and intricately plotted” The Informers…The Brooklyn Rail and Transcript both offer handsome online digests of short stories from around the world.
There are all kinds of arguments for reading the canon (Italo Calvino‘s come to mind) but why should we spend time reading untested contemporary authors? Tim Parks tackles this question, with a little help from Virginia Woolf, for The New York Review of Book‘s blog, and his argument pairs well with Guy Patrick Cunningham‘s Millions essay on reading the classics.