Have you seen the infamous image of Obama in Heath Ledger-style Joker makeup? (Image care of Bedlam Magazine). See the artist, unmasked, at the L.A. Times.
"I don’t want to write ‘funny’ books where we all have to laugh our heads of all the time. The humor should come from behind, where we don’t expect it. And the life of a well-known writer is something you can laugh about quite easily." On the occasion of his new novel Dear Mr. M, our own Claire Cameron interviews Herman Koch over at Salon.
The debut issue of Candor magazine is like a Sassy for the intellectual set, rife with wit (Emily Gould and Merisa Meltzer discuss Away We Go), intelligence (writer mother Rachel Zucker and woman writer Sarah Manguso speak candidly about identity, motherhood, women’s prejudices and writing), and women’s rights (Atossa Abrahamian considers the rhetoric of the rape victim).
Edmund Wilson famously said of the works of H.P. Lovecraft that “the only real horror in most of these fictions is the horror of bad taste and bad art.” In time, however, Lovecraft developed a substantial following, which raises the question of what attracted readers to his work. The answer? “The weird realism that runs through his writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.” Related: Ben Dooley on the scariness of House of Leaves.