Probably the biggest literary debut the week is Arthur Phillips' The Tragedy of Arthur, a faux memoir about the surfacing of a long-lost Shakespeare play. Also out this week is the first book from former Soft Skull head Richard Nash's new venture Red Lemonade: Lynne Tillman's Someday This Will Be Funny. And, finally, now out in paperback is Aimee Bender's The Particular Sadness of Lemon Cake. (Our two reviews)
Experience "THE POWER OF BOOKS"You know those annoying puzzles where you type in the letters so the computer knows you're not a computer creating a fake account or sending spam? A group from Carnegie Mellon is using these "Captchas" to help digitize books. ReCaptcha is a special type of Captcha that displays words that book digitization software is having trouble deciphering. So, by letting the computer know you're not a computer, you can help some other computers digitize our books.I missed Junot Diaz's appearance at the Free Library of Philadelphia where he read from his new novel The Brief Wondrous Life of Oscar Wao, but Season Evans was there.
Recommended Listening: Ben Lerner stops by The New Yorker's fiction podcast to discuss "Woven, Sir," a story by John Berger.
David Foster Wallace has become an American legend in his own right, so it makes sense that he'll be coming to the big screen soon. Jason Segel will play the famous writer in an adaptation of David Lipsky's Although of Course You End Up Becoming Yourself with Jesse Eisenberg as Lispky. Can one movie handle this much neurosis?