“Charles Dickens had orphanages and workhouses, the Brontë sisters had the wild moors, and modern writers have high school.” So begins L.A. Times television critic Mary McNamara‘s take on The Vampire Diaries, the CW’s answer to Twilight (premiering tonight at 8). The show is loosely based on L.J. Smith‘s books of the same name and McNamara gives it a qualified thumbs up. She concludes that this latest addition to the vampire canon is “pure froth, but it is very welcome froth, especially in a genre that seems sometimes in danger of taking itself a little too seriously.”
Christine Sismondo believes bars deserve more credit for “produc[ing] a particular type of public sphere in colonial America.” She discusses her new book America Walks Into a Bar with The Smithsonian’s Rebecca Dalzell.
Like YA novels? Harbor a certain affection for the book publishing arm of McSweeney’s? Then you’re the prime audience for this excerpt of The Mermaid in Chelsea Creek, Michelle Tea’s contribution to the publisher’s new Mullens imprint. (Naturally, it’s the first in a trilogy.)
Over at Full Stop, Scott Cheshire mulls the concept of Armageddon, or, as he calls it, “The Other American Dream.” Meanwhile, a French photography team is traveling the world to take pictures of cities “without signs of life.” Perhaps the fascination isn’t so American after all.
John Cage–renowned composer, music theorist, writer, artist, and Zen enthusiast–is a a veritable treasure trove of Curiosities. Here’s a video from 1973 of Cage performing his most famous piece, 4’33”, in Harvard Square. It’s hard for even the man himself to top the genius of this inspired performance, however.
How does editing a book about women’s wardrobes change a person’s view on fashion? “For me, now, after doing this book, when I walk down the street, I notice and appreciate a greater range of women. And I also sort of feel more comfortable with myself and with my own choices, my own individuality, rather than feeling that I’m missing the mark,” Sheila Heti told Rookie about her current book Women In Clothes (read our review). She also discussed her writing influences, How Should a Person Be?, and her next project.