“Charles Dickens had orphanages and workhouses, the Brontë sisters had the wild moors, and modern writers have high school.” So begins L.A. Times television critic Mary McNamara‘s take on The Vampire Diaries, the CW’s answer to Twilight (premiering tonight at 8). The show is loosely based on L.J. Smith‘s books of the same name and McNamara gives it a qualified thumbs up. She concludes that this latest addition to the vampire canon is “pure froth, but it is very welcome froth, especially in a genre that seems sometimes in danger of taking itself a little too seriously.”
“Hope is a gift you don’t have to surrender, a power you don’t have to throw away. And though hope can be an act of defiance, defiance isn’t enough reason to hope. But there are good reasons.” Rebecca Solnit, author of Men Explain Things To Me, on maintaining hope and resisting defeatism.
Jonathan Lee, whose novel High Dive was published this week, writes about the “deep disquiet” of finishing your book. “There are lots of books on how to write, and lots of books on how to publish, but I’ve spent the last few weeks looking for a book with a title like How To Get Through The Period Between Finishing A Book and Seeing It In A Bookstore Without Losing Your Entire Grip on Reality. I have failed to find it.”
At Bookforum, Alexander Benaim reads the latest novel by Jess Row, which I wrote about as part of our most recent book preview. The novel poses a charged, intriguing question: what would happen if it were possible to change your race? (It might also be a good time to read the author’s Year in Reading entry along with our own Mark O’Connell’s review of the novel at Slate.)
Scholars estimate that since T.S. Eliot’s death in 1965, “roughly 90 percent of his prose has been out of print and unavailable to literary scholars.” That will change this year with the publication of the first volume in Ronald Schuchard’s eight-volume work, The Complete Prose of T.S. Eliot.