“Charles Dickens had orphanages and workhouses, the Brontë sisters had the wild moors, and modern writers have high school.” So begins L.A. Times television critic Mary McNamara‘s take on The Vampire Diaries, the CW’s answer to Twilight (premiering tonight at 8). The show is loosely based on L.J. Smith‘s books of the same name and McNamara gives it a qualified thumbs up. She concludes that this latest addition to the vampire canon is “pure froth, but it is very welcome froth, especially in a genre that seems sometimes in danger of taking itself a little too seriously.”
The Vampire Diaries
A Religious Review
“POPE OF PURGATORY WOULD BE A SOLID BAND NAME.” Part two of a series in which Mallory Ortberg of The Toast reviews Martin Luther’s The Ninety-Five Theses.
Who doesn’t love to hit happy hour after work?
Christine Sismondo believes bars deserve more credit for “produc[ing] a particular type of public sphere in colonial America.” She discusses her new book America Walks Into a Bar with The Smithsonian’s Rebecca Dalzell.
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Niche Audience
Like YA novels? Harbor a certain affection for the book publishing arm of McSweeney’s? Then you’re the prime audience for this excerpt of The Mermaid in Chelsea Creek, Michelle Tea’s contribution to the publisher’s new Mullens imprint. (Naturally, it’s the first in a trilogy.)
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Armageddon: The World’s Dream?
Over at Full Stop, Scott Cheshire mulls the concept of Armageddon, or, as he calls it, “The Other American Dream.” Meanwhile, a French photography team is traveling the world to take pictures of cities “without signs of life.” Perhaps the fascination isn’t so American after all.
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Writing About Suicide
Recommended reading: Philip Connors, whose memoir All the Wrong Places was included in our 2015 Book Preview, writes for the New Yorker about his brother’s death and the problems with “cathartic” writing.
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Do You Hear A Cricket?
John Cage–renowned composer, music theorist, writer, artist, and Zen enthusiast–is a a veritable treasure trove of Curiosities. Here’s a video from 1973 of Cage performing his most famous piece, 4’33”, in Harvard Square. It’s hard for even the man himself to top the genius of this inspired performance, however.
Dress to Impress
How does editing a book about women’s wardrobes change a person’s view on fashion? “For me, now, after doing this book, when I walk down the street, I notice and appreciate a greater range of women. And I also sort of feel more comfortable with myself and with my own choices, my own individuality, rather than feeling that I’m missing the mark,” Sheila Heti told Rookie about her current book Women In Clothes (read our review). She also discussed her writing influences, How Should a Person Be?, and her next project.
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Am I the only one that wants to take way too much Ambien over terrible vampire stories being compared to Dickens?
No. I’m with you. Though it is true that the site of suffering for young people in contemporary popular entertainment is high school (My So-Called Life, Freaks and Geeks, Buffy the Vampire Slayer, the loathesome Vampire Diaries), whereas Dickensian and Brontean child heroes usually did their suffering elsewhere–the streets of London, workhouses, remote bleak English landscapes, etc. (not always true though; in Nicholas Nickleby there’s that horrible Yorkshire school, Dotheboys Hall, and there’s Lowood in Jane Eyre).
Vampires Diaries, by the way, was godawful. Made me think better of Twilight–which I firmly believed impossible. Mary McNamara’s review was much more entertaining than the show itself. My apologies to any who might have taken a look.
Honestly, I liked this show. It stays very true to the novels yet includes the audience expectancies. One thing I know for sure: It’s way better than Twilight!