“Charles Dickens had orphanages and workhouses, the Brontë sisters had the wild moors, and modern writers have high school.” So begins L.A. Times television critic Mary McNamara‘s take on The Vampire Diaries, the CW’s answer to Twilight (premiering tonight at 8). The show is loosely based on L.J. Smith‘s books of the same name and McNamara gives it a qualified thumbs up. She concludes that this latest addition to the vampire canon is “pure froth, but it is very welcome froth, especially in a genre that seems sometimes in danger of taking itself a little too seriously.”
The Vampire Diaries
Medvedev’s America
Kirill Medvedev’s “America: A Prophecy” has been published for Triple Canopy as part of the “Immaterial Literature” project. The suite, translated by n+1 editor Keith Gessen, is composed of pieces from the Russian poet’s forthcoming It’s No Good collection.
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The Jeff Sharlet Memorial Award for Veterans
The Iowa Review will begin accepting submissions for the Jeff Sharlet Memorial Award for Veterans on April 15. The award honors creative writing by members of the U.S. military, and it’s open to both veterans as well as active duty personnel.
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Softcore No More
“Pornography has changed unrecognizably from its so-called golden age—the period, in the sixties and seventies, when adult movies had theatrical releases and seemed in step with the wider moment of sexual liberation, and before V.H.S. drove down production quality, in the eighties. Today’s films are often short and nearly always hard-core; that is, they show penetrative sex. Among the most popular search terms in 2015 were ‘anal,’ ‘amateur,’ ‘teen,’ and—one that would surely have made Freud smile—’mom and son.'” The New Yorker attempts to make some sense of modern pornography.
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Rachman’s Single
Tom Rachman, author of Millions Hall of Famer The Imperfectionists, has a new short story out as a Kindle Single: “The Bathtub Spy.”
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Literary Writers in the Writers Room
Vanity Fair explores the change in attitude among the literati about writing for TV and notes that “[I]ncreasingly, the industry is ransacking bookshelves for adaptable novels and short stories. And fiction writers are becoming show-runners themselves.”
The Thriller Code
“Rather than outlining your plot in chronological order, try outlining your plot as if it were a candle burning at both ends. Begin the process by writing your first and last chapter simultaneously.” Amazon Author Insights gathers, well, insights on writing from Dan Brown and other famous crime and thriller novelists. (Full disclosure: Amazon helps us pay the bills around here!) We will also never not recommend this evergreen piece from our own archives, of writers on the best advice they ever received.
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Am I the only one that wants to take way too much Ambien over terrible vampire stories being compared to Dickens?
No. I’m with you. Though it is true that the site of suffering for young people in contemporary popular entertainment is high school (My So-Called Life, Freaks and Geeks, Buffy the Vampire Slayer, the loathesome Vampire Diaries), whereas Dickensian and Brontean child heroes usually did their suffering elsewhere–the streets of London, workhouses, remote bleak English landscapes, etc. (not always true though; in Nicholas Nickleby there’s that horrible Yorkshire school, Dotheboys Hall, and there’s Lowood in Jane Eyre).
Vampires Diaries, by the way, was godawful. Made me think better of Twilight–which I firmly believed impossible. Mary McNamara’s review was much more entertaining than the show itself. My apologies to any who might have taken a look.
Honestly, I liked this show. It stays very true to the novels yet includes the audience expectancies. One thing I know for sure: It’s way better than Twilight!