In the September issue of Elle, Lorrie Moore talks about why being a writer means being creepily detached and rude. Redux here at Jezebel.
The Rude Writer
A Tipping Point for Gladwell Haters?
The Nation expends about 7,500 words to say Malcolm Gladwell is a hack. The source of the umbrage: “a cheerful, conversational voice deployed in a perfectly paced dopamine prose that had the palliative effect of nullifying whatever concerns readers might have about this product or that problem.”
Curiosities: Smoldering Eyebrows
E-book pricing wars continue. Sony tries to hit the Kindle where it hurts by offering cheaper e-books. Meanwhile, $0 is becoming an important price point at the Kindle store.Sam Anderson hates Thomas Pynchon.An indie bookstore fan uses our bookstore tour as a jumping-off point for a literary day in Manhattan. You can too.
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The Pioneer Detectives in San Francisco
The Pioneer Detectives is coming to San Francisco! Join author Konstantin Kakaes and Gelf Magazine editor David Goldenberg at The Knockout in the Mission, Tuesday, September 17 at 6.30.
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You Call Those Facts? These Are Facts.
“Since scientific knowledge is still growing by a factor of ten every 50 years, it should not be surprising that lots of facts people learned in school and universities have been overturned and are now out of date,” writes Ronald Bailey in his review of Samuel Arbesman’s The Half-life of Facts.
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2012 Costa Award Finalists Announced
The 2012 finalists for the Costa (formerly Whitbread) Book Awards have been anounced. In the “Novel” category, they are Bring up the Bodies by Hilary Mantel, Life! Death! Prizes! by Stephen May, The Heart Broke In by James Meek, and Days of the Bagnold Summer by Joff Winterhart. The Costa site has lists of the nominees in all categories.
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Revel in the Disorderly
“The only way to get something new out of language, to try and get to what feels like the nearest simulacrum of truth, is to bend and shape that language, to break it’s form and strain against it, to coax it into a shape, to play with it. To revel in the disorderly.” Madeleine Watts writes about Eimear McBride‘s A Girl is a Half-Formed Thing (which our own Hannah Gersen recently reviewed), the limits of language and the necessity of a “Girl Canon” for The Believer‘s blog.
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