Attn Twitterers: Some folks have been following me @cmaxmagee, but starting today we’ll be using @The_Millions for the occasional books- and Millions-related “tweet.” If you are the twittering type, throw a “follow” our way (and spread the word). (Thanks to my brother Phil for securing and holding onto @The_Millions until I finally got around to using it.)
“During various periods of my life I have succumbed to the siren call of sleeping pills. It is hard to resist their promise: one tablet, and your night will be purged. Your brain may be in overdrive, its receptors working away, hungrily awaiting more images and information, but like a computer it is forced into another mode. Yet the little white disks with a dent down the middle are no panacea; whenever I take one of these thought guillotines I feel trapped in a grey zone, seesawing between mid and shallow slumber, mind and body dulled but not of their own accord.” A lifelong insomniac recounts her long struggle with the illness.
This essay by Mensah Demary for Electric Literature on Nas and the literary legitimacy of hip-hop is the best thing you’ll read this morning. “Nas is a world-class storyteller and practitioner of the narrative form,” Demary writes, “I don’t understand why there isn’t more discussion around hip-hop’s literary value among today’s millennial-and-boomer intelligentsia.”
In Zadie Smith’s introduction to the Writers Bloc series, she writes that the program sought essays “that were not only pious, charitable or analytical but also readable, engaging, exciting.” The essays published by Guernica certainly meet this criteria. I particularly recommend Aleksandar Hemon’s essay on first graders in Bosnia and Herzegovina.
Well, it turns out that Dutch bookselling site was right after all. In three weeks, Dave Eggers will release his latest novel, A Hologram For the King. The author gives some more information in an interview with The Rumpus‘ Stephen Elliott, but it seems pretty crazy how this isn’t being talked about more.