Need to spice up your writing? Try one of McSweeney’s punctuation marks such as the Yellow-Winged Apostrophe, which likes “to ‘peace out’ of its obligation to indicate possession or contraction,” or the Academic Ellipsis, which “is used by those who wish to demonstrate just how much more they know about how to use ellipses than you do.”
Junot Diaz, whose novel The Brief and Wondrous Life of Oscar Wao won the Pulitzer Prize in 2008, has been deemed “un-patriotic” and “anti-Dominican” by the Dominican Republic’s consul in New York City. Diaz had been working in Washington with Haitian-born writer Edwidge Danticat in the hopes of urging the U.S. government to take action against the abhorrent treatment of Haitian immigrants in the Dominican Republic.
Maybe you’re a speed-reader or maybe you’re a psychic who plans their reading lists months ahead of time. Those are the only two possible scenarios by which you may have finished reading all of the books on this year’s Man Booker Long List. And if that’s the case, it’s time to get started on The Guardian’s “Not The Booker” Long List.
Cat Marnell and Alana Massey both have new books out, and they are, in their own ways, variants on the genre of “confessional” writing. In an essay for Slate, Katy Waldman unpacks their essential appeal and their arguments, describing how each goes about the task of reinventing the concept of the memoir. You could also read our interview with Massey.
I’ve written before about the First Sentence series at Granta. The magazine asks a prominent writer to explain how they came to write an opening line. Recently, they asked Bear Down, Bear North author Melinda Moustakis to talk about the beginning of her story “River So Close”: “She’s a good-for-nothing chummer.” You could also read Jonathan Russell Clark on the art of the opening sentence.