In today’s NY Times, former Simon & Schuster executive Joni Evans ruminates on the Darwinian transformation of publishing, from tactile and sensory (paper and fountain-pen stains and typewriter bells) to e-everything (bidding wars and clean desks); she herself picked flight over fight.
Survival of the Sleek in Publishing
August: Osage County Gets a Trailer
The first trailer has been released for the cinematic adaptation of Tracy Letts’s Pulitzer-winning play August: Osage County. Here are two of my favorite scenes (one, two) from the play to whet your appetite. The film, which is directed by John Wells, is scheduled for a November release.
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An evening with Neal Stephenson
Next month, the University of Washington is hosting an Open Bookclub with Neal Stephenson, and his novel, Reamde. There will also be a panel of interdisciplinary commentators.
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This Bug’s Life
Tea with beetles, chess and lemonade with butterflies, laundry day with a praying mantis–it’s the stuff of children’s books and the dioramas of San Francisco artist Lisa Wood, now on display at The Gold Bug in Pasadena, CA.
Updike the Cartoonist
“Updike stopped cartooning while he was an undergraduate at Harvard. This is a factually true statement, but it ignores a larger reality. While Updike might have ceased cartooning, the visual language of comics was never far from his mind. Cartooning was an inextricable strand in his creative DNA.” Jeet Heer writes about John Updike, cartooning, fandom and “bedesque” prose for The Paris Review. Pair with James Santel‘s Millions essay on “The Curious Paradox of John Updike.”