At the Los Angeles Times Magazine, the answer to a bad boyfriend is to read a few good novels. Does The Talented Mr. Ripley remind you of your lover?
Stand By Your Man
Pride and Proto-Feminisim
“The literary type of burlesque also peels off layers … They are bolder and more coarsely humorous pieces that go beyond silly copies, like turbo-charged parodies. Jane Austen’s burlesques were full-on irreverent, turning a thing on its head, forcing us to peek underneath to see its naked absurdities.” On the proto-feminist snark of a young Jane Austen.
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Zuccotti Park: Day 10
An n+1 writer revisits Zuccotti Park to find Michael Moore reporting for MSNBC on the tenth day of the protest against financial inequity.
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A Roundtable (of Sorts) on Identity in Publishing
“You’re asking if the Race Memoir, the Gender Memoir, or the Sexuality Memoir will survive market trends. I don’t know, but if I put your question in context with Imani Perry’s idea then yes, it will endure. Will it always be ‘trending’? No, but it will endure.” Just one of many great lines from Kima Jones who, along with Terese Marie Mailhot, Meredith Talusan, Ijeoma Oluo, and Kathryn Belden, discusses the current upswing in books on gender and race for Buzzfeed.
The Last Train from Hiroshima
Henry Holt & Company stopped printing and selling Charles Pellegrino‘s The Last Train From Hiroshima last week, following allegations of fraudulent sources and fabrication in the work. The New York Times examines the debacle: “If book publishers are supposed to be the gatekeepers,” novelist and Studio 360 host Kurt Anderson asks, “tell me exactly what they’re closing the gate to.”
Introducing Flannery O’Connor
Adrian Van Young at Electric Literature has compiled a reading primer for the works of Flannery O’Connor. Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”
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The Book Peddlers on Mumbai’s Streets
Sonia Faleiro takes a look at the “book boys of Mumbai” who participate in India’s quasi-illegal pirated book market. (It’s an issue also discussed in Akshay Pathak’s most recent dispatch on Indian publishing.) Faleiro notes that books often appear on the streets as soon as they’re released to stores – and also that by 1999, as much as “20 to 25 percent of all books sold in the country were pirated.” Meanwhile, the former production editor in me wonders, how the heck are they re-printing these books so quickly?
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