The L Magazine features an interview with poet/multi-genre artist Claudia Rankine, whose performance piece The Provenance of Beauty: A South Bronx Travelogue — a Rankine-written-and-recorded narrative that accompanies a bus ride through the South Bronx — will run for two months beginning Labor Day Weekend.
Recommended Reading: Laura Gianino at The Rumpus on seeing The Boss, Bruce Springsteen: “It felt silly to me, as a Springsteen fan of approximately four hours, to tell Keith that I felt Bruce understood me, too, but I realized somewhere in the middle of the show that Bruce was the same age when writing those songs as Keith and I were as we listened. Maybe I was just caught up in the moment. But if that were true, so was everyone.”
Rule number one in journalism: Don’t call the person you are interviewing a fucking asshole. James Frey of A Millions Little Pieces discloses what he believes is the future of the written word. (via)
“The notion that American literature might have an imperial bent—that it might be anything other than a string of lightly co-influential works of ‘imaginative power,’ and might itself reflect our national desire to dominate—is lost on its critics, both right and left.” Jonathan Sturgeon in The Baffler on American exceptionalism and “the imperial self” in fiction, with particular attention paid to the work of two other Jonathans, Franzen and Safran Foer.
“We are not trying to point fingers or prosecute. I am just trying to solve the last case of my career. There is no statute of limitation on the truth.” A retired FBI agent has launched a cold case review into identifying those who may have betrayed Anne Frank‘s hiding place to the Gestapo in 1944, reports The Guardian.
Two hotly anticipated collections of stories are out this week: Nathan Englander’s What We Talk About When We Talk About Anne Frank and Dan Chaon’s Stay Awake. Also new this week are Katherine Boo’s Behind the Beautiful Forevers, Ramona Ausubel’s No One is Here Except All of Us, which she wrote about here recently, Dalkey’s new edition of The Recognitions by William Gaddis, and a new volume of William S. Burroughs’ letters.