Used-book search aggregator BookFinder.com has published its annual report on the most sought-after out-of-print books. As always, the lists are eclectic, spanning everything from stock market conspiracy theories to a lost work by Edward Gorey. (Thanks, Laurie)
“The striking thing about her search for God is that she sometimes finds him. Pilgrim at Tinker Creek’s second chapter, after a kind of introduction, is titled ‘Seeing.’ There are two kinds, she explains. The common variety is active, where you strain, against the running babble of internal monologue, to pay attention to what’s actually in front of you. But, she tells us, ‘there is another kind of seeing that involves a letting go.’ You do not seek, you wait. It isn’t prayer; it is grace. The visions come to you, and they come from out of the blue.” On Annie Dillard’s turn to silence.
In the latest Baffler, Evgeny Morozov argues that Silicon Valley, in typical fashion, has taken to “hacking” our language. Old, trusted words don’t mean what they used to mean, and complex ideas have been stripped of subversive implications. “Complexity,” he writes, “is not particularly viral.”
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. “If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives.” On another side of the secrecy spectrum, Emma Straub writes about what it’s like to keep a personal secret even as her literary life was booming.
“A book critic working today must contend with a world in which more diverse voices are heard and the traditional gatekeepers have less power to enforce conformity.” LitHub interviewed Kate Tuttle, the president of the National Book Critics Circle, about literary criticism. Read our own Emily St. John Mandel on bad reviews.