Jeffrey Goldberg interviews Quentin Tarantino in The Atlantic and writes about why Inglorious Basterds is a very un-Jewish treatment of rage toward Nazis.
The international popularity and utility of English doesn’t show any signs of slowing, but what will the language look like after a few generations of increasing usage? The Economist gives a brief answer, but it doesn’t address the ways English is or will be used by different people to tell their stories. Damian Fowler addresses this when he asks, “[W]hat does it mean to have an American point of view,” or to call a book American in tone, as opposed to British or just English-language? In a blog post for The Paris Review, Fowler offers an answer: American novels are characterized by “a spare, sure sense of narrative, reflected in a colloquial voice, free of affectation.”
The New York Public Library announced their eighteenth annual Young Lions Fiction Award, which is “given annually to an American writer age 35 or younger for either a novel or a collection of short stories.” The 2018 finalists are: Lesley Nneka Arimah‘s What It Means When a Man Falls from the Sky, Venita Blackburn‘s Black Jesus and Other Superheroes, Gabe Habash‘s Stephen Florida, Emily Ruskovich‘s Idaho, and Jenny Zhang‘s Sour Heart. From our archives: Habash and Zhang‘s 2017 Year in Reading entries.
“The appropriate term for what both [David Foster] Wallace and [Roger] Federer did, however, perhaps isn’t synthesis; more apt would be the Hegelian term, aufheben, which can mean a great many things – to lift up, to abolish, to cancel, to suspend, to sublate, to preserve, to transcend – all at once, where two existing terms are abolished, sublated, transcended by way of the orchestration of a collision between them, out of which a new term emerges, which then itself goes in search of a partner with which to collide.” A really fantastic review of David Foster Wallace’s String Theory from 3:AM Magazine.
London is the most popular literary city. Graphic designer Edgard Barbosa made an infographic that visualizes the number of English-language books written about 10 international cities from 1800 to 2000. The locales include Rome, New York City, London, Paris, Tokyo, Madrid, Beijing, Chicago, Cairo, and Mumbai.