Jeffrey Goldberg interviews Quentin Tarantino in The Atlantic and writes about why Inglorious Basterds is a very un-Jewish treatment of rage toward Nazis.
New this week: Lincoln in the Bardo by George Saunders; Shadowbahn by Steve Erickson; The Fortunate Ones by Ellen Umansky; All That's Left to Tell by Daniel Lowe; The Weight of Him by Ethel Rohan; The Dark Flood Rises by Margaret Drabble; and Be My Wolff by Emma Richler. For more on these and other new titles, go read our most recent book preview.
December 15th. New York City. Mark your calendars. John Jeremiah Sullivan and Wells Tower discuss "the art of the essay in light of Sullivan's new book, Pulphead."
Pop Chart Lab’s latest creation depicts some of the most famous cocktail-and-character pairings in literature and film. The gamut runs from Daisy Buchanan’s Mint Julep to The Dude’s White Russian. (Of course, the Preakness Stakes are this weekend, so really you should be drinking Black Eyed Susans.)
The Longreads team has teamed up with Syracuse assistant professor Aileen Gallagher in order to “search for and share outstanding student work.” If you’ve read (or written) something fantastic this past school year, they encourage you to tag it #college #longreads on Twitter or Tumblr.
"In his column, Manjoo goes on to call out virtual reality for being 'a lonely, anti-social affair'—but, hey, isn’t that what reading a novel used to be? I mean, before we figured out how to make books ping and arouse competitive instincts by flagging favorite passages of readers who got there before we did. (I don’t mean to harp on Farhad Manjoo or to denigrate his excellent work; his reticence is shared by others in both legacy and new media cautioning against VR.)" It looks like VR is in desperate need of good storytellers.