Alexis Mainland documents New Yorkers from all walks of life reading on the subways — the last outpost of low-tech, off-the-grid in-between time. (The NY Times)
Look, it's hard being the bloodthirsty kingpin of a multinational drug smuggling cartel. Apparently Joaquín “El Chapo” Guzmán has been feeling a bit sorry for himself post-capture, so what did Eduardo Guerrero, head of Mexico's prison systems, think would cheer him up? He brought him a copy of Don Quixote.
Over at Public Books, Jared Gardner explores the theme of pain and illness at the heart of many graphic narratives. As he explains it, “Illness, mental and physical, is arguably comics’ invisible master theme, deeply woven into their genome and shaping the stories they tell, from the earliest newspaper strips (chronic allergies in Winsor McCay’s Little Sammy Sneeze) through the rise of superhero comics (from Batman’s PTSD in 1939 through the Fantastic Four’s radiation poisoning in 1961).” Pair with Paul Morton’s Millions piece on the history of Marvel Comics.
It’s not a commonly held opinion, but Hilary Mantel thinks Henry VIII was a romantic. In a brief interview with Jamie Sharpe, the Wolf Hall author dispels the common view of the oft-married king as a philanderer. “He thought that he had to shape his life and shape his kingdom for each woman,” she says. “Men didn’t think that way in those days.” You could also read Damian Barr’s interview with her at The Millions.
What can we make of the fact that members of the Guantánamo Bay medical staff have adopted Shakespearean names in “an attempt to avoid being held liable for any mistreatment of detainees?” Globe Theatre artistic director Dominic Dromgoole and Guantánamo detainees lawyer Clive Stafford Smith ponder the question.
Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.