Alexis Mainland documents New Yorkers from all walks of life reading on the subways — the last outpost of low-tech, off-the-grid in-between time. (The NY Times)
Whether or not you’re an avid collector of NYRB Classics like Stoner, you’ll enjoy this profile of series publisher Edwin Frank, conducted by Millions contributor and Oyster Editorial Director Kevin Nguyen. In the profile, Frank delves into the mindset that guides his choices, tying the rise of the American publishing series to the passage of the GI bill. Sample quote: “Someone seeing a book he or she always loved next to a book he or she had never heard about would say, ‘Wait that’s the book I always loved and it’s back in print, maybe I should buy this one too.’”
Alright, time to fess up – who keeps buying all these Mein Kampfs? This piece from The Daily Beast takes a look at Hitler’s 800-page tome and questions why people continue to buy it despite the fact that “it might be dull as one of those many lunchtime monologues that bored Frau Goebbels cross-eyed.”
After some initial mystery leading up to publication, Michael Lewis’s new book Flash Boys is here and its subject is high-speed trading (sometimes called “high-frequency trading) that uses supercomputers and complex trading algorithms to attempt to generate profits through brute force. Lewis has become the most popular writer on Wall Street, giving readers a look behind closed doors. The Times has an excerpt of Flash Boys, while Bloomberg has more detail.
Out this week: The Devil in Montmartre by Gary Inbinder; The Emperor of Ice Cream by Dan Gunn; Deeds of Darkness by Edward Marston; and The Cat and the Moon and Other Cat Poems, chosen by the British Library. For more on these and other recent titles, check out our Great Second-half 2014 Book Preview.
America’s oldest LGBT bookstore, Giovanni’s Room, is closing on May 17. The Philadelphia staple is shutting its doors after four decades due to the owner’s retirement and financial problems. At Salon, Steve Berman remembers the store and discusses how its closure will affect the publishing and LGBT community. “So LGBT books are forced to the edges, to the shadows, despite claims of assimilation. Gay authors have to do more and more marketing to find readers. Gay publishers have to struggle with shrinking venues to showcase their titles.”