The Beatles‘ remastered catalogue is probably the hottest rock release of the moment, but there are other notable new releases this month: The Stone Roses‘ 20th anniversary re-release double CD and The Pains of Being Pure at Heart (recently written up at The Millions)’s second full length EP, Higher Than the Stars.
The New York Public Library announced their eighteenth annual Young Lions Fiction Award, which is “given annually to an American writer age 35 or younger for either a novel or a collection of short stories.” The 2018 finalists are: Lesley Nneka Arimah‘s What It Means When a Man Falls from the Sky, Venita Blackburn‘s Black Jesus and Other Superheroes, Gabe Habash‘s Stephen Florida, Emily Ruskovich‘s Idaho, and Jenny Zhang‘s Sour Heart. From our archives: Habash and Zhang‘s 2017 Year in Reading entries.
There’s just something about David Foster Wallace‘s writing that makes people want to adapt it. We’ve written about this phenomenon before – there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace’s work doesn’t seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again, which both Salon and Hyperallergic reviewed.
In his new book, Pill City, journalist Kevin Deutsch set out to tell the real story of how, following the 2015 Baltimore riots, Charm City’s streets became flush with heroin and pills. But now local writers are raising serious questions about the veracity of Deutsch’s account. Among others, The Wire creator David Simon has called the book “a wholesale fabrication.” Last week, Newsday announced they were “reviewing Deutsch’s work over the four years he worked here,” and the New York Times, where Deutsch has contributed, followed suit.