Dan Brown gets D.C. wrong, says Slate. (But isn’t this just another way of saying that it belongs with almost every other narrative, literary or televisual, ever concocted about the Diamond District?)
It’s Not the Spectacles and Pageantry…
Dragged In
Most institutions that become an essential part of a local culture build up a collection of curios over the years. They collect as much evidence as they can of their proximity to major events. At the New York Public Library, for example, you can find a letter opener whose handle is made from the paw of Charles Dickens’s dead cat. (h/t The Paris Review Daily)
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Louise Erdrich: The Paris Review Interview
“By having children, I’ve both sabotaged and saved myself as a writer… Many of the writers I love most were alcoholics. I’ve made my choice, I sometimes think: Wonderful children instead of hard liquor.” The Paris Review interviews Louise Erdrich for its Winter issue.
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Threat Level Seven
It’s hard to know exactly what North Korea will do these days, but if you’re looking for context, The Morning News published a cartoon guide to recent history.
Newt’s Civil War Book
Newt Gingrich’s recent rise in Republican primary polls has occurred in tandem with the release of his historical novel set in the Civil War. The result? Gingrich writes a notorious massacre out of his book, The Battle of the Crater.
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The Other Arts
Six novelists discuss their second-favorite art forms (after writing, of course). Before you click, see if you can guess which one of these folks is most interested in opera: Kazuo Ishiguro, Lavinia Greenlaw, John Lanchester, Alan Werner, Sarah Hall and Colm Tóibín.
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Yupper Class
The release date for Thomas Pynchon’s new novel is three weeks away, and to mark the occasion, Boris Kachka runs through a quick biography of the perpetually mysterious author. Among other things, Kachka points out that Pynchon resides in a fairly odd neighborhood for a recluse to choose to live in — the Upper West Side. (Previously: “Thomas Pynchon to Publish New Novel” and “New Thomas Pynchon Teaser.”)
The real Daisy Buchanan
“The poor boy losing the rich girl is a common theme in Fitzgerald’s work, and the original model was surely his relationship with Ginerva King.” AKA the real Daisy Buchanan, who, might I note, looks nothing at all like Carey Mulligan.
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