Researchers have determined that “winning a prestigious prize in the literary world seems to go hand-in-hand with a particularly sharp reduction in ratings of perceived quality.” So if you’re very sensitive, take some solace in the fact that you haven’t won a major award, I guess.
The London Review of Books sought out Will Self to help create “a digital literary work that pushed the boundaries of the literary essay well beyond its traditional form.” The effort, they hoped, would “loosen and enhance the structure of the essay, changing the way the reader interacts with the text.” Well, consider that a success. Behold, “Kafka’s Wound” in all its multimedia glory. [Bonus: Millions readers in the UK can catch Will Self’s discussion of the digital essay on September 6th.]
“When the French would go to serve, they often said, Tenez!, the French word for ‘take it,’ meaning ‘coming at you, heads up.’ We preserve this custom of warning the opponent in our less lyrical way by stating the score just before we toss up the ball. It was the Italians who, having overheard the French make these sounds, began calling the game ‘ten-ez’ by association. A lovely detail in that it suggests a scene, a Florentine ear at the fence or entryway, listening.” Whether it’s David Foster Wallace or John Jeremiah Sullivan writing about tennis, I’m reading it. Another three-namer, Jonathan Russell Clark, reviewed The David Foster Wallace Reader for The Millions.
“The rest of the morning went like that. We did synchronized clapping. We did active listening. We did a role-play exercise in which I was a girl waiting for a bus and Karloff was a masher, but when I started flirting back, she didn’t like it. I got four more cups of coffee and felt brokenhearted when my bottle gave up its last drop.” Philip Marlowe attends a court-mandated women’s studies workshop.