David Foster Wallace died a little more than a year ago. It’s a good time to revisit Garth’s excellent piece written shortly after Wallace’s death. More recently, No Pun Intended published a long reflection on Wallace.
DFW a Year Later
Who Reviews the Reviewers?
Our own Lydia Kiesling discusses James Wood’s literary “lodestars,” and also looks at “what is fascinating, if not exactly fun” about The Fun Stuff, the critic’s latest essay collection.
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Questioning Your Legacy
John Steinbeck's son criticizes the state of Texas for invoking Of Mice and Men's Lennie Small, in ruling that certain mentally retarded individuals can be sentenced to the death penalty. The great-great-great granddaughter of Herman Melville wonders where her great-great-great-grandfather's editor was when he wrote Moby Dick.
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Gaming the Bestsellers List
In lieu of writing a legitimately popular book, or having Barack Obama photographed while being “given” your book, it appears that you can get onto the New York Times bestsellers list for about $200,000.
And All That Jazz
Have you ever wondered what The Great Gatsby would sound like? Designer Vladimir V. Kuchinov made The Generative Gatsby, a book that features typography based on famous 1920s jazz songs. "The following work is a visual experiment, a study of how music of this era, its rhythms, syncopations and patterns could alter prose to a new typographic frontiers keeping content legible as it could be," he writes on his website.
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Pen Pals Jack Kerouac and Allen Ginsberg
Janet Maslin at the New York Times reviews the collection Jack Kerouac and Allen Ginsberg: The Letters: “‘Hasn’t it been awful?’ Kerouac would write to Ginsberg in 1959. ‘We were so swingy? And now young poets are sneering at us?’”
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Mapping the Territory
"No map can be a perfect representation of reality; every map is an interpretation, which may be why writers are so drawn to them," Casey N. Cep writes about the fictional map at The New Yorker. Pair with: Our review of Where You Are.
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