David Foster Wallace died a little more than a year ago. It’s a good time to revisit Garth’s excellent piece written shortly after Wallace’s death. More recently, No Pun Intended published a long reflection on Wallace.
DFW a Year Later
Chasing Candy
Roman Coppola and Wes Anderson teamed up on a series of short films to advertise Prada’s newest perfume Candy L’Eau. Click for the Andersonian single-camera sweep shots; stay for the intriguing French love triangle.
Tastemakers
Despite his popularity in Europe, the Austrian writer Stefan Zweig never hit it big in America. At Flavorwire, Jason Diamond argues that this may be about to change, thanks to an unlikely culprit: the latest Wes Anderson film.
Pulling Out the Stops for Chabon’s Telegraph Avenue
Michael Chabon’s Telegraph Avenue (as seen in our Book Preview; and excerpted here) is due to hit shelves early September, and everybody seems pretty excited about it. How excited? Well, the book will come with an “enhanced e-book” replete with multimedia features, and the publishers have also decided to create a pop-up version of Brokeland Records, one of the novel’s main settings.
Two New Marilynne Robinson Books In the Works
Marilynne Robinson is at work on a book about the Old Testament, says Casey N. Cep on Twitter. Word on the street is that it won’t come out until after she finishes Lila, her third book set in the Gilead universe.
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“On Stage as On Paper”
There’s just something about David Foster Wallace‘s writing that makes people want to adapt it. We’ve written about this phenomenon before – there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace’s work doesn’t seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again, which both Salon and Hyperallergic reviewed.
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*Cricket*
“It’s a book about fathers that has few good ones on display. It’s a book about language that cannot decide among many. It’s a book about bargains in which no character makes a wise one.” On Aravind Adiga’s new novel Selection Day.
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