The latest actor to go vampire? John. C Reilly! As you might expect, he’s a hammy vampire, not a sparkly one. See the preview for Cirque du Freak: The Vampire’s Assistant. (The film is based on a series of children’s books by English-born Irish author Darren O’Shaughnessy, who publishes under the name Darren Shan.)
Can you hear me, Major Tom? The world lost one of the good ones today in David Bowie; celebrate his enormous contributions to art as we know it and take a look at this list of Bowie’s 100 essential books which includes everyone from Camille Paglia to Anthony Burgess. Bonus: here’s a link to Bowie singing “Changes” in what became his final live performance.
“As you can see here, it’s all about desire and longing.” Yes it is, Ragnar, yes it is. Icelandic performance artist Ragnar Kjartansson is fascinated by what he calls “the oppressiveness of western culture claustrophobia.” His newest work, Bonjour, has shifted focus to poke fun at the ways in which the rest of the world elevates French sensibilities.
Over at Aeon, Jenny Davidson explores what makes a great sentence. As she puts it, “A great sentence makes you want to chew it over slowly in your mouth the first time you read it. A great sentence compels you to rehearse it again in your mind’s ear, and then again later on.” Pair with our own Michael Bourne’s essay on sentence structure for creative writers.
There’s an old story that states that Marcel Proust met James Joyce for five unremarkable minutes at a dinner party. Artistically significant though it may have been, it had less geopolitical significance than another famous meeting a hundred years earlier, in which Napoleon went out of his way to pay a visit to Goethe. As a new biography of the French emperor details, Napoleon couldn’t understand why Goethe admired Shakespeare.
“Like walkie-talkies that require a button be pressed to speak and released to hear, does reading require that either the voice of the author or the voice of the reader’s consciousness be silenced at any given moment? Such an analogy suggests that reading is an act of hospitality toward another’s mind, in which we silence our voice in courtesy to the voice of another’s consciousness, a voice that alternates with our own in conversation.” John Biguenet on silent reading.