Andrew Marantz reviews R. Kelly’s “breezy” and “revealing” memoir, Soulacoaster: The Diary of Me, for The New Yorker’s book blog, Page-Turner. This might be what they meant when they said they were “rebooting” the Book Bench. (Related: hear Gary Oldman read some passages from the book.)
Claudia Rakine's Citizen: An American Lyric, which won the Book Critics Circle Award for Poetry and was included in our own list of "Nine Books for the Post-Ferguson Era," has been adapted for the stage, and previews are beginning in Los Angeles. Graywolf, the independent press behind Citizen, The Empathy Exams and On Immunity: An Inoculation, has interviewed the playwright behind the adaptation about the project and his process. As he explains it, "what makes the book—and the theatre piece—unique is that they expose and illuminate the small, sometimes unintended, and unconscious acts of everyday racism. Subtle, insidious, soul-crushing."
The Atavist has been killing it lately. Last month, I was riveted by Joshuah Bearman's outrageous (and completely true) story of one Brit's attempt to bring a "Baghdad Country Club" to the city's Green Zone. This month, "Mother, Stranger," Cris Beam's account of her abusive mother--a distant relative of William Faulkner--had me on the verge of tears.