1,500 writers and artists signed a protest letter, “No Celebration of Occupation,” against the Toronto International Film Festival’s decision to spotlight the city of Tel Aviv. (from Democracy Now)
Do you want to nurture your writing? Sign up for the Skillshare online class Creative Writing for All: 10 Days to a Daily Habit, taught by Friendship author and Year in Reading alumna Emily Gould and featuring a 10-day creative writing challenge. Also: enrollment is free through April 12.
Louis Menand, Thessaly La Force, Amelia Lester, and David Haglund have come together to discuss the influence of literary powerhouse and cultural icon Joan Didion in The New Yorker’s Out Loud Podcast. Our own Michael Bourne calls Didion America’s Truth Teller in his review of her biography.
Rebecca Makkai shares the events that we can’t miss at AWP. I’m looking forward to the LA Law Karaoke Costume Party at the Santa Monica Pier, sponsored by VIDA and Pen America, featuring Mary Oliver and Kesha. Tod Goldberg’s dispatch from AWP in 2013 is a nice supplement to the piece.
Summertime, another work of fictionalized autobiography (following Boyhood and Youth) from Nobel Laureate J.M. Coetzee arrives this week. Also, new this week is Psycho Too, an illustrated travelogue collaboration between Will Self and Ralph Steadman. Of the book, PW says “Self is far from a reliable tour guide, but his eye for seldom-trod byways and offbeat insights make him a diverting travel companion.”
Anna Sun profiles the work of Mo Yan, the latest winner of the Nobel Prize for literature. While Sun acknowledges Yan’s popularity and prolific output, she also notes that what the Nobel committee referred to as “hallucinatory prose” is more often than not “repetitive, predictable, coarse, and mostly devoid of aesthetic value.” Indeed, Sun writes, “the English translations of Mo Yan’s novels … are in fact superior to the original.” [Ed. Note: It appears the Kenyon Review link was briefly not working; this Google cache may work better — h/t Dan Farrely]