“And so despite my esteem for the high challenge of writing, for the reach of the writerly life, it’s not something anyone actually wants me to do. The American mind has made that very clear, it has said: ‘Be a specialised something — fill your head with the zeitgeist, with the technical — and we’ll write your ticket.’”
Parul Sehgal, nonfiction editor at Publisher's Weekly (and sister of The Millions intern Ujala Sehgal), has been awarded the National Books Critics Circle "Nona Balakian Citation for Excellence in Reviewing." Previous winners include Joan Acocella, Ron Charles, and Sam Anderson. The award was based on her diverse portfolio of work as a reviewer, including a review of Susie Linfield's The Cruel Radiance, a review of Stacy Schiff's Cleopatra: A Life, and her piece on David Abram's Becoming Animal. Congratulations!
"I don’t divide my friendships into continental categories. I don’t think: Today I’ll have lunch with my European friend, and tomorrow I will invite my Asian friend to the park. It would be silly of me to think of the authors I read in those terms. End of topic." The (still relatively) new Literary Hub interviews Valeria Luiselli about the literary tradition, authors's names, magical realism and her new novel, The Story of My Teeth.
Michael Kimball wants to save you $50,000 dollars on an MFA - by sharing what's he taught himself. Interested in reading more from someone without a traditional writing degree? Our own Hannah Gersen explains "The Value of Writing Programs: On Why I Don't Have an MFA."
"It’s fair to say Shakespeare is having a cultural moment in Asia, with a “boom” of new film adaptations and dramatic stagings," and the Royal Shakespeare Company just received 1.5 million pounds to keep that boom going by translating all of the Bard's plays into Mandarin. Melville House has the full story, and it pairs well with both this diagram of a translated book's usual lifespan and this discussion of Shakespeare's best plays.