Need a good way to start your Monday? Try browsing a repository of the craziest, most confusing things Amazon has on offer.
Riffing on R&B singer Ernie K-Doe’s one-time statement, Chris Rose writes in the Oxford American, “I’m almost positive that all music, at least all American music, comes from Louisiana.” The essay appears in this year’s OA Southern Music Issue, a reliably excellent source of tunes and writing. Indeed, as Dwight Garner put it in The New York Times, the CDs that accompany each annual issue “practically belong in the Smithsonian.”
“Sitting there in my thrift-store jacket and boa with my legs spread, I was a study in cubism: lips mouthing well-bred earnest truisms about postcolonial theory, hand guiding their hand up under my skirt, it was, on a deep level, hilarious.” Chris Kraus writes about working New York’s topless hustle bars at n+1.
Looking for something to watch this weekend? Got Hulu Plus? Well, start working your way through the veritable treasure trove that is the Criterion Collection. And don’t worry. If you’re as overwhelmed by the selection as I am, this top ten list by filmmaker Dean Peterson can serve as a great guide. Also, for what it’s worth, I’m partial to Andrei Tarkovsky’s Andrei Rublev.
“These stories feature hookups and breakups, substance abuse, and violence so casual it’s as natural as jagged breathing.” Electric Literature has an interview between flash fiction author Len Kuntz and critic and writer David Galef, whose Brevity: A Flash Fiction Handbook was just published by Columbia University Press. The two discuss the state of short fiction, their favorite one-line stories of the year, and how, even in the briefest of narratives, readers should still “feel a connection to the story and characters.” For more ultra-lean tales, see our own Emily St. John Mandel‘s review of Hint Fiction, an anthology of 25-words-and-under short stories.