Evidently, Alain de Botton has recovered from the unfavorable New York Times review of his latest book, The Pleasures of Sorrow and Work, for which he excoriated reviewer Caleb Crain, claiming that Crain “killed [his] book in the United States.” De Botton was just named Heathrow Airport’s first writer-in-residence. During his week tenure at a desk in Terminal 5, he will record his observations in “real time,” with his typing appearing on a screen behind him. Afterward, the entries will be collected and published as a book, A Week at the Airport: A Heathrow Diary.
Writing for Airports
Strange and New
Last week, I pointed readers to an article about Michael Faber’s latest book and his decision to quit writing fiction. Now, in the Times Book Review, Marcel Theroux sizes up the novel, writing that “the reader is drawn through the book effortlessly, by the combination of incidental strangeness and the suspenseful handling of plot.”
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Borrowing Made Easy
A fledgling New York tech firm has invented a new service, Oyster, that the company claims is a lot like Spotify in its workings. Their innovation? The products they’re sharing are books.
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Defending the Poet Laureate
Recommended reading: Our own Nick Ripatrazone writes "In Defense of the Poet Laureate" and about the tension that arises when poetry meets government for the new Literary Hub site.
The Language of the Present
“For me, language was a kind of initiation into multiple realities. For if one language could be certain of a table’s gender and another couldn’t be bothered, then what was true of the world was intimately tied, not to some platonic ideal, but to our way of expressing it.” Ana Menéndez on being a multilingual writer in the twenty-first century.
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