In case you were wondering why “old media” companies continue to cling to print: Based on ad revenue, a print reader is worth $709, while an online reader is worth just $46. (via)
The Old Media Green
Trigger warning: Breakups ahead
Kim Addonizio‘s latest collection of short stories, The Palace of Illusions, is due out this month. Here is a sneak peek, the story, “Another Breakup Song,” featuring a distinctly Raymond Carver-esque vibe.
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Costume Drama
Callan Wink, the Wyoming writer who’s published two stories in The New Yorker since 2011, has a new story, “One More Last Stand,” in Granta’s Spring issue. Among other things, it depicts the oddly frightening “heat of battle re-enactment.”
Hardcover, Paperback and The Economist
The Economist gives a succinct explanation of “why books come out in hardback before paperback,” but their answer feels almost too simple. For a fuller understanding of the paperback / hardback question, pair The Economist‘s article with Nichole Bernier‘s Millions piece on “The Point of the Paperback.”
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a small, diamond-like space
Rachel Syme set out to cover the failure of Dawn Powell’s diaries to sell at auction for the New Yorker and came away with a tender meditation on obsession, New York, and the business of biography.
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New Marilynne!
Marilynne Robinson has a new essay (excerpted from her new book When I Was a Child I Read Books) out in Guernica, and if you’re still reading this sentence because you haven’t yet clicked the link, that’s incredible.
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“Give things away”
Recommended Reading: this interview with poet Lucie Brock-Broido, whose new book Stay, Illusion is a finalist for the National Book Award.
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The “Chicken Breast” of Spirits
How has a spirit legally defined as being “without distinctive character, aroma, taste, or color” flourished in today’s economic climate? Victorino Matus‘ Weekly Standard article explores the history and ubiquity of vodka. Perhaps this article is best paired with something from NPR‘s list of “Great American Writers and Their Cocktails.”
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