Archie finally chooses between Betty and Veronica–but, don’t worry, there are 5 more issues in the series… (via @largeheartedboy)
Team Betty
Working Against the Narrative
“If I was working against any existing Detroit narrative, it is the one where working-class black people exist as numbers or victims and not as fully-realized, complex people.” Angela Flournoy on her most recent work, The Turner House, a National Book Award finalist. We interviewed the author and reviewed the book.
●
●
Strange Cults, Powerful Elders, and Other Features of Academia
Does this harrowing plot summary describe a critically acclaimed film of the 2010s, or does it describe your PhD program?
●
●
●
Hipster Sommelier
Might I suggest a Pamplemousse with that Ben Fountain, sir? BookRiot has very helpfully compiled a list of La Croix/book pairings. See also: this in memoriam for Michael Jackson, beer connoisseur. Yeah no, not the one you’re thinking of.
On Death and Crows
Max Porter’s Death Is the Thing With Feathers is a bizarre, beautiful book. Over at The Literary Hub, he talks death, writing, and musical theater with Catherine Lacey. Porter’s book came highly recommended by Garth Risk Hallberg in his 2015 Year in Reading for The Millions.
Hemingway’s First Short Story Unearthed
“The notebook was there, unharmed, tucked inside a Ziploc freezer bag, with ‘Sep. 8, 1909,’ written in black marker.” After Hurricane Irma passed over Key West, Florida, writer and historian Brewster Chamberlin confirmed the relic he had found in May was safe: a notebook containing the first short story by a 10-year-old Ernest Hemingway. See also: The Millions’ own Michael Bourne’s essay on Hemingway as a “Middlebrow Revolutionary.”
●
●
More Than Light
“Romance heroines hold jobs. They teach, farm, practice law, work independently as private detectives, or they are involved in the arts, in dance, in theater. They are mothers, ex-wives, Marines. They take up causes and they always want something ‘more’ from their lives—and we aren’t just talking about a partner. In today’s romance, the relationship is part of—and often, a catalyst for—a woman’s journey, not her destination.” On the value of romance fiction.