Say what you want about Quentin Tarantino; the man thinks like a writer. You can hear him doing so out loud on the current episode of KCRW’s The Treatment, with Elvis Mitchell.
Word came out yesterday that Jonathan Galassi and Year in Reading alum Mona Simpson will join the Paris Review editorial board. Former editors both — Galassi edited the magazine’s poetry, while Simpson edited its fiction — the two will join Rose Styron, Jeffrey Eugenides and other notable figures on the board. Simpson also has a new novel coming out in April.
A while back, I linked to a contentious letter between Saul Bellow and Jack Ludwig, written not long after Bellow found out Ludwig was sleeping with his wife. Now, here’s a (somewhat) less angry piece of correspondence, sent from Philip Larkin to Barbara Pym. Sample quote: “Has anyone ever done any work on why memories are always unhappy?”
It’s a question that puzzles writers of all stripes: why is so much academic writing so terrible? It’s an issue that’s been a lifelong head-scratcher for the linguist Steven Pinker, who set out to answer the question once and for all. His verdict? It has to do with the meaning of “literary style.”
In more “Dylan at 70” news, the knowledgeable Ed Ward reviews the compilation How Many Roads: Black America Sings Bob Dylan for The Oxford American. (Editor’s Note: The omission from this album of Nina Simone‘s “Just Like Tom Thumb’s Blues” and Ben E. King‘s “Lay Lady Lay” are both unconscionable.)