Are you lover or writer of florid longwinded codswollop? The Bulwer Lytton Fiction Contest might be for you.
Sublimely Bad?
The Southern Festival of Books
Last weekend The Southern Festival of Books took over Nashville. The latest installment of #LitBeat takes you to Ta-Nehisi Coates’s panel there, on the importance of studying–but not romanticizing–history.
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Stranger Danger
Siglio Press has just come out with a book version of Sophie Calle’s The Address Book, excerpts of which can be seen at The New Yorker.
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Scribbles in August
From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)
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The Good Fight
Sometimes — like now, say — an artist has to ask what it means to continue working. At The Rumpus, Lara Downes explores her resolve to keep playing and teaching music, and writes about what she’s done while teaching in Louisville this week.
Strike Back
“What women do in the books mentioned here doesn’t consist of survival so much as sabotage. They throw bricks and rocks and flaming bottles into the chinks of the masculine world machine, then pick up a gun and fire into the turning gears. If rape and other sexual violence, religious servitude, and the politically determined inaccessibility of contraception can be seen as acts of war, stories like these may not just be a means of escapism. In the mind’s eye, they might be weapons, to be picked up, opened, and deployed.” At the Boston Review, Elizabeth Hand looks at women who fight back in fiction, from Gone Girl to Medea.