Sam Anderson hates Thomas Pynchon.
“I had dreams about tornadoes. I dreamed of houses collapsing, people searching through rubble for dead bodies. Most of these dreams involved watching a large tornado in a field as it moved directly toward me. Like the scene early in the film The Wizard of Oz when Dorothy looks out the window and sees the tornado approaching, that sense of doom is always present in my dreams.” At the Paris Review Daily, Brandon Hobson reflects on a lifelong fear of bad weather.
Recommended reading: “One of the drillers fell to his knees. Some sobbed, in the way men do when their mothers die, or when their sons are born.” An exceptional and deeply moving long-form essay in the New Yorker recounting the 69 days spent underground by the famed ’33’ Chilean miners buried in the 2010 accident at Copiapó.
The publishers Hamish Hamilton/Penguin UK have begun a “social media experiment” in which they’ll use PeerIndex to single out “influencers” to review and promote books. “Influencers” will be determined by the breadth and reach of their social media presence, and they’ll be selected based on their relevance to certain books. This kind of marketing is exactly what Eli Pariser warns about in The Filter Bubble. (For a quick summary, listen to his TED talk.)
The internet’s repository of Franz Kafka-inspired literary treats seems to have no bounds. This latest: his excellent short story “The Country Doctor” has been adapted by Japanese filmmaker Kōji Yamamura into a 20-minute animated film (subtitled). Kafka adaptations clearly aren’t going anywhere. Pair with our essay on the subtle art of rereading his most famous story.
“When I want to be ambushed, captured, thrust into a strange and vivid world, and tossed aloft until I cannot stand it, until everything is at stake and life feels almost unbearably vivid, I do something simple. I read short stories.” Electric Literature has posted Ben Marcus‘s “paean to the contemporary American short story,” which doubles as the introduction to New American Stories and does a pretty good job of capturing just what it is we love about reading fiction.
The finalists for the 2016 Hugo Awards were announced a few days ago, and it looks like the reactionaries may have struck another blow. A group which calls itself “The Sad Puppies” has been stirring up political controversy at the Hugos for a few years now. Founded in 2013 by writer Larry Correia, who was highly critical of the Hugos for favoring what he believed were “academic” works that allegedly promote “left-leaning messages,” the Puppies have since campaigned vigorously to have writers whose ideologies line up with their own make the final ballot.