The Public Domain Review takes a look at the “Class of 2013,” a k a their “top pick of artists and writers whose works will, on 1st January 2013, be entering the public domain.” Among the names highlighted is Robert Musil, whose novel The Man Without Qualities was reviewed on our site by Matthew Gallaway.
“I’m sure the ghost is fascinated by the N.Y.C. vs. M.F.A. debate, and would add that there’s a literary-world bias… toward writing done by the living.” The New Yorker interviews Rebecca Curtis about ghost stories and her latest piece of short fiction, “The Pink House.” For more about Curtis, check out our review of her debut collection Twenty Grand: And Other Tales of Love and Money.
“In fact, I think Plath has turned out to be a much better poet than Hughes ever was. Of course he won all the prizes, and his name is on the stones in Poet’s Corner and OK, he’s pretty good, but not that good, whereas she gets better and better.” Granta interviews the critic Al Alvarez, onetime friend of Sylvia Plath and Ted Hughes.
There’s been a lot of digital ink spilled about the traumas lurking in the comment section. It’s almost a rite of passage to get abused for something you write. But there’s another kind of trauma — what happens when you get no comments at all? At The Rumpus, Rachel Newcombe writes about a new kind of emptiness.