Twitter fans: Our book question has spawned a mini-twitter trend: #onenovel. Join in!
#onenovel
De La Pava Up for PEN American Literary Prize
As part of its 2013 literary awards, the PEN American Center will grant nearly $150,000 to writers, editors, and translators through sixteen different awards and fellowships, and for the first time ever they’ve decided to publish their shortlist online. Among the finalists is Sergio De La Pava, whose novel A Naked Singularity is up for the $25,000 PEN/Robert W. Bingham Prize for a debut work. You might recall our own Garth Risk Hallberg’s profile of De La Pava last summer, and you can catch a glimpse of the author’s next book on our Second-Half 2013 Book Preview.
●
●
Reactive Female Characters
Melissa Hillman, the artistic director at Berkeley’s Impact Theatre, explains “A Common Problem [She Sees] In Plays By Women Playwrights. (It’s Not What You Think.)”
●
●
David Foster Wallace, 1996
Recommended Listening: an interview with David Foster Wallace recorded the year Infinite Jest was published. Pair with these interviews and thoughts about what we mean when we talk about “rare” recordings.
●
●
“Louche but not bohemian”
In January, I wrote about the release of William Styron’s letters, which reveal, among other things, that Styron requested a book on Nat Turner after visiting “the most enormous house [he’d] ever seen” in Cornwall. At the Times Literary Supplement, you can read more.
Clash of the Esoterics
Two guys who can talk about just about anything – Nicholson Baker and NPR’s Tom Ashbrook – did just that yesterday on On Point, as Baker promoted his latest opus, The Anthologist.
●
●
Bad Credit
As we noted here recently about the rise and fall of Motown, the real issue was money — who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label’s first hit in 1959, “Money (That’s What I Want),” tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong’s story is the story of Motown boiled down to its bitter, ironic essence.