“Delight in book collecting, and in showing off one’s book collection, is common, if not universal, among readers and would-be-readers. The biggest reason we spend money on books is because we want to read them (eventually), but that isn’t the only reason: we also like to look at them, and to look at other people looking at them.” Over at The Point, Jake Bittle considers why we collect books as opposed to simply reading them. He also points out, correctly, that books are very, very unpleasant to move, something our own Matt Seidel can confirm.
Edmund White considers writers’ obsession with New York City in the 1970s, with photography by Peter Hujar. As White puts it, that was “a place and a time in which, rich or poor, you were stuck together in the misery (and the freedom) of the place, where not even money could insulate you.”
Out this week: The City of Mirrors by Justin Cronin; Sweetbitter by Stephanie Danler; The Summer Guest by Alison Anderson; This Too Shall Pass by Milena Busquets; Dear Fang, With Love by Rufi Thorpe; and Smoke by Dan Vyleta. For more on these and other new titles, go read our Great 2016 Book Preview.
Stephen Fry joins “the congregation at the Church of Apple” for the launch of the iPad and shares his thoughts on the company and its newest product.
The London Review of Books sought out Will Self to help create “a digital literary work that pushed the boundaries of the literary essay well beyond its traditional form.” The effort, they hoped, would “loosen and enhance the structure of the essay, changing the way the reader interacts with the text.” Well, consider that a success. Behold, “Kafka’s Wound” in all its multimedia glory. [Bonus: Millions readers in the UK can catch Will Self’s discussion of the digital essay on September 6th.]