It’s hard to get a better glimpse of the postwar white male American writer than the essays of William Styron. In My Generation, a new book of collected nonfiction, Styron writes about a raft of his contemporaries, including but not limited to Philip Roth, James Baldwin and Truman Capote. In the NYT, Charles Johnson reviews the collection. You could also read Alexander Nazaryan on a book by Styron’s daughter.
"Charles Dickens had orphanages and workhouses, the Brontë sisters had the wild moors, and modern writers have high school." So begins L.A. Times television critic Mary McNamara's take on The Vampire Diaries, the CW's answer to Twilight (premiering tonight at 8). The show is loosely based on L.J. Smith's books of the same name and McNamara gives it a qualified thumbs up. She concludes that this latest addition to the vampire canon is "pure froth, but it is very welcome froth, especially in a genre that seems sometimes in danger of taking itself a little too seriously."
Have you ever wondered what The Great Gatsby would sound like? Designer Vladimir V. Kuchinov made The Generative Gatsby, a book that features typography based on famous 1920s jazz songs. "The following work is a visual experiment, a study of how music of this era, its rhythms, syncopations and patterns could alter prose to a new typographic frontiers keeping content legible as it could be," he writes on his website.