At Variety‘s blog, news that Steven Speilberg has signed on to his next project: A remake of Harvey, the Pulitzer-winning 1944 play and beloved 1950 Jimmy Stewart movie about a man, Elwood P. Dowd, and his friendship with an invisible giant rabbit.
HTMLGiant is running a cool series of interviews with readers who recently finished long or difficult books. Check out their takes on Lee Child’s Echo Burning, David Foster Wallace’s Infinite Jest, and William Gaddis’s The Recognitions over here, here, and here, respectively. Also, while on the topic of difficult books, check out Emily Colette Wilkinson and Garth Risk Hallberg’s round-up of their ten top picks.
In April’s Atlantic, Joseph O’Neill tries to separate Philip Roth from his perpetual themes of family, Newark, and Judaism, and from his many authorial personae. The task proves unmanageable, but the attempt sheds light on the man destined to become Roth’s greatest critic: Roth himself.
Football Book Club is back from its relaxing bye week — and in preparation of the impending Environmental End Times, these truly decent, patriotic human beings are reading The Sixth Extinction: An Unnatural History by Elizabeth Kolbert. So pick up your copy today, read along, and learn how we’re fucking up the planet in ways you never even imagined possible. Also: if this week’s book is making you feel slightly depressed and/or down in the dumps and/or bummed, check back with FBC all week for essays on Speak by Louisa Hall.
BoingBoing‘s holiday gift guide has lots (and I mean lots!) of great things for just about anyone in your life. They even highlighted two different whiskeys. Then again, if you’re only looking to give gifts to your favorite writers, Hannah Gersen has you covered.
Two French novelists, two books about dead babies: Literary cat fight, canny PR scheme, or “psychological plagiarism”? Read all about the literary feud that’s captivating France here.
The novelist Julie Schumacher wrote her latest, Dear Committee Members, entirely in the form of letters of recommendation. The format allowed her to illustrate the travails of a creative writing professor through a medium often ignored in fiction. At The Awl, Jessica Gross and Merve Emre talk about the novel. Pair with: Cathy Day on academia’s novel crisis.