At Variety‘s blog, news that Steven Speilberg has signed on to his next project: A remake of Harvey, the Pulitzer-winning 1944 play and beloved 1950 Jimmy Stewart movie about a man, Elwood P. Dowd, and his friendship with an invisible giant rabbit.
“In the imposed rhythm of the day, there wasn’t the time to step back and appraise my ideas, to delete paragraphs, to question my identity. Whether or not I was a writer was temporarily immaterial, because I was writing.” Adam Dalva contemplates life at an artists’ residency. For more of his writing, check out his essay on Donna Tartt’s The Goldfinch for The Millions.
What do Talking Heads, The Smiths, Judas Priest, and Blondie have in common? They’re all featured in the playlist Picador made to accompany the paperback release of Jeffrey Eugenides’s latest novel, The Marriage Plot. The Spotify list is chock full of songs “Madeleine, Leonard, and Mitchell might have been listening to in the early 1980s.” You can read Eugenides’s take on the book’s genesis over here, too.
“Grim was the world and grey last night / The moon and stars were fled.” It looks like even J.R.R. Tolkien might have been a an angsty teen. Two previously unseen poems by the legendary author have been found in a forgotten annual printed by a small primary school in Abingdon, Oxfordshire, in 1936. For another Tolkien-related blast from the past, here is W.H. Auden’s review of The Return of the King, book three of the Lord of the Rings series.
William Blake may have described its “green and pleasant land” but this week England had traded green for white, as you can see in this NASA photograph (c/o Gizmodo).
“Unable to replicate the success of his first novel [The Loom of Youth],” writes Philip Quarles, “[Alec Waugh] did create a lasting impact by being credited with inventing the cocktail party when he shocked guests by serving, instead of afternoon tea, rum swizzles.”
At Bookforum, Rebecca Donner talks with former Granta editor John Freeman about his new book of interviews, How to Read a Novelist. Freeman says that he enjoys interviewing writers in their homes because it allows him to observe them more closely: “The writer thinks you’re taking notes about what he’s saying, but you’re really writing, ‘His head looks like a lion’s head.’”