My mom reacts to Reading Rainbow’s demise and points out that the show didn’t have to go and other less edifying programming is eluding the funding crunch.
“I think people always expect artists to have a larger understanding of the issues they write about. People have looked to writers and artists forever and asked them to be cultural commentators or political commentators, which can be very scary because I can only speak to my own perspective, and I’m figuring this out along with everybody else. I’m not even sure I’m the best person to talk about it, whatever it is, but I’m someone who can and does.” Electric Literature talks with Sarah Gerard about her debut novel Binary Star, which we reviewed here.
A new study out of Stony Brook University employs a complex statistical model to figure out what makes a book successful. Judging books on the basis of Amazon sales, awards won and Project Gutenberg downloads, the scientists determined that successful books have a higher-than-average ratio of self-references, prepositions and coordinating conjunctions. Unsuccessful books, on the other hand? A high ratio of adverbs and location markers.
Writing about European immigration laws for the London Review of Books, Jeremy Harding drops this excellent line: “Perhaps we should agree to think of rights and values as limited resources, and admit that Europe is now caught in a bitter struggle over who can or can’t access them.”
“Forty years later,” Romesh Ratnesar writes “the Stanford Prison Experiment remains among the most notable—and notorious—research projects ever carried out at the University.”
“João Gilberto Noll frustrates attempts to foresee the plot or to craft stories as they are traditionally understood and written. The series of events that appear in them are as tenuously linked into a broader narrative as those of a dream.” An interview with Noll translator Adam Morris.